©V.Kandaurova
- Comédienne
Naissance en 1971 (52 ans)
Caractéristiques
| Langues | AllemandAnglaisFrançais |
|---|---|
| Dialectes & accents | Bavarois (natif), de la Haute-Autriche |
| Chants | A cappellaChansonChœurClassiqueComédie musicaleJazzOpéretteRock / PopSchlagerYodel |
| Instruments de musique | Violon |
| Danses | Danse classiqueDanse contemporaineDanse historiqueDanse jazzDanse moderneDanses standardFlamencoTango argentin |
| Sports | JonglageNatationPatin à glaceRoller |
| Résidence principale / secteur géographique | Sarrebruck |
| Domicile fiscal | Allemagne - Sarre |
| Nationalité | allemande |
| Permis et habilitations | B (automobile), C1 (camion >3,5 t<=7,5 t) |
Agences
Allemagne
Téléphone+49 228 5020821-86,-85,-84,-87
Contact
Portableréservé aux membres
Adresse mail réservée aux membres
Actuellement
- BangbangTenderTheater performance of the KORSO-OP.KOLLEKTIVhttps://www.korso-op.com/
(nominated as actress of the year in all roles)
Guest performance on April 05 and 06, 2024
at the BLIIIDA, Metz (FR) - The Chancellor of AtlantisRehearsals for "Der Reichskanzler von Atlantis" by Björn SC. Deigner at the Saarländisches Staatstheater
Role: Jutta
Director: Thorsten Köhler
Premiere: June 01, 2024 - Nomination as ACTOR OF THE YEAR 2023Nomination in the critics' poll of THEATER HEUTE as a
ACTOR OF THE YEAR 2023 for all roles in "BangBangTender",
production of the Korso-op.Kollektiv
Deux mots sur Nina Schopka
Nina Schopka was nominated as SCHAUSPIELERIN DES JAHRES 2020 and 2023 in the THEATER HEUTE critics' survey and works freelance for theater, film and television.
Her permanent engagements between 1996 and 2017 took her to national and international state and municipal theaters in Salzburg, Berlin, Linz, Constance, Luxembourg and Saarbrücken.
In 2010, she received the Saarländisches Staatstheater Sponsor Club Award.
In 2016, Nina Schopka founded the experimental Korso-op.Kollektiv in Saarbrücken and has since worked freelance for state and municipal theaters as well as selected companies and collectives throughout the German-speaking world and France.
She has often worked with renowned directors such as Piotr Fomenko, Sebastian Baumgarten, Simone Blattner, Dagmar Schlingmann, Marcus Lobbes and Michael Talke.
Her artistic work lies at the interface between acting and performance, particularly in the pieces developed by the Korso-op.collective.
In addition to two nominations from THEATER HEUTE as INSZENIERUNG DES JAHRES (2020 and 2021), she also received the KULTURPREIS FÜR KUNST of the City of Saarbrücken 2020 for her work in the collective.
Her permanent engagements between 1996 and 2017 took her to national and international state and municipal theaters in Salzburg, Berlin, Linz, Constance, Luxembourg and Saarbrücken.
In 2010, she received the Saarländisches Staatstheater Sponsor Club Award.
In 2016, Nina Schopka founded the experimental Korso-op.Kollektiv in Saarbrücken and has since worked freelance for state and municipal theaters as well as selected companies and collectives throughout the German-speaking world and France.
She has often worked with renowned directors such as Piotr Fomenko, Sebastian Baumgarten, Simone Blattner, Dagmar Schlingmann, Marcus Lobbes and Michael Talke.
Her artistic work lies at the interface between acting and performance, particularly in the pieces developed by the Korso-op.collective.
In addition to two nominations from THEATER HEUTE as INSZENIERUNG DES JAHRES (2020 and 2021), she also received the KULTURPREIS FÜR KUNST of the City of Saarbrücken 2020 for her work in the collective.
Formation
| Année | |
|---|---|
| 1993 à 1996 | Schauspielschule am Schauspielhaus Salzburg (Bühnenreife Paritätische Prüfungskommission Wien) |
Distinctions
| Année | Distinctions |
|---|---|
| 2023 | Nomination as ACTOR OF THE YEAR 2023 in Theater heute's critics' poll |
| 2020 | Cultural award for art in the Saarbrücken region |
| 2020 | Nomination as ACTOR OF THE YEAR 2020 in the critics' poll Theater heute |
| 2010 | Prize of the Sponsor Club of the Saarland State Theater |
Filmographie comme comédienne
| Année | Titre | Type |
|---|---|---|
| 2024 | Katzenkönig (TT) | Court-métrage |
| 2022 | Tatort - Die Kälte der Erde | Téléfilm (série/collection), Degeto [de], SR [de] |
| 2019 | Tatort - Das fleißige Lieschen | Téléfilm (série/collection), ARD [de], SR [de] |
| 2016 | Walz | Moyen-métrage |
| 2012 | Tatort - Eine Handvoll Paradies | Téléfilm (série/collection), SR [de] |
| 2010 | Selbstmord für Anfänger | Court-métrage |
| 2005 | L'École du Diable | Court-métrage |
| 2002 | Styx | Court-métrage |
| 2001 | Sternenfänger | Série TV, ARD [de] |
Rôles au théâtre
| Année | Pièce | Théâtre |
|---|---|---|
| 2024 | ECHO 2050 | Opera Lab Berlin / Theater im Delphy |
| 2024 | Inconsolable shadows | Pfalztheater Kaiserslautern |
| 2023 | BangBangTender | Korso-op.Kollektiv / GarellyHaus Saarbrücken |
| 2023 | August: Osage County | Pfalztheater Kaiserslautern |
| 2022 | varioschimmer | GarellyHaus Saarbrücken/Freistil-Festival |
| 2022 - 2023 | The Dead Friends | Pfalztheater Kaiserslautern/Autor*innentheatertage |
| 2022 | Kassandra | Pfalztheater Kaiserslautern |
| 2021 | LOST PUPPY | Korso-op.Kollektiv |
| 2021 | Tyll | Pfalztheater Kaiserslautern |
| 2020 | Le papa de Lila | Compagnie TRT (FR) |
| 2020 | Flitzefitzel Digital | Korso-Digital |
| 2020 | Tristesse Digitale | Korso - Digital |
| 2019 | Tristesse Royale | Korso-op.Kollektiv/Festival Perspectives |
| 2019 | Der Streit / P.Marivaux | Saarländisches Staatstheater |
| 2018 | Paysage de corps | Compagnie Osmosis (FR) |
| 2018 - 2019 | Das Folgenreich / Korso-op.Kollektiv | Korso-op.Kollektiv |
| 2018 | Der weisse Raum / L. Werner | Théâtre National du Luxembourg/Ruhrfestspiele |
| 2017 - 2018 | BabylonPogo / Korso-op.Kollektiv | Korso-op.Kollektiv/Festival Perspectives |
| 2017 | Tartuffe / J.B. Molière | Saarländisches Staatstehater |
| 2017 | Othello / W. Shakespeare | Saarländisches Staatstheater |
Autres références voix
| Année | Titre | Type de projet |
|---|---|---|
| 2014 | Radiotatort - Totentanz | Hörspielserie |
| 2008 | Die Händler | Hörspiel |
| 2003 | Abramakabra | Hörspiel |
| 2002 | Störung | Hörspiel |
| 2002 | Bitte Folgen | Hörspiel |
| 2000 | Werbesprecherin | Werbesprecherin 1996 bis 2000 |
Caractéristiques
| Taille | 172 cm |
|---|---|
| Poids | 58 kg |
| Corpulence | très svelte / fine |
| Taille (vêtements) | 36/38 |
| Apparence ethnique | européenne-occidentale |
| Couleur des cheveux | blond foncé |
| Longueur des cheveux | mi-longs |
| Couleur des yeux | bleu-vert |
| Nationalité | allemande |
| Langues | AllemandAnglaisFrançais |
| Dialectes & accents | Bavarois (natif), de la Haute-Autriche |
| Tessiture | soprano |
| Chants | A cappellaChansonChœurClassiqueComédie musicaleJazzOpéretteRock / PopSchlagerYodel |
| Instruments de musique | Violon |
| Danses | Danse classiqueDanse contemporaineDanse historiqueDanse jazzDanse moderneDanses standardFlamencoTango argentin |
| Sports | JonglageNatationPatin à glaceRoller |
| Expérience de tournage à l’étranger / à l’outre-mer | Europe de l'Ouest: France |
| Permis et habilitations | B (automobile), C1 (camion >3,5 t<=7,5 t) |
| Résidence principale / secteur géographique | Sarrebruck |
| Domicile fiscal | Allemagne - Sarre |
| Possibilités de logement | Athènes, Bâle, Beijing, Berlin, Brême, Brunswick, Cologne, Düsseldorf, Göteborg, Hamburg, Linz, Munich, Ratisbonne, Strasbourg, Tel Aviv, Vienne, Zurich |