| Vfx supervisor | Dennis Rettkowski | |
| Title designer | Thea Sparmeier | |
| Vfx consultant | Kilian Pohl | |
| Director of photography | Hannes Schulze [1] | |
| Additional photography | Frieder Unselt | |
| 1st assistant camera | Leo Bonmati | |
| Director | Moritz Geiser | |
| 1st AD (local system) | Eleonore Khuen-Belasi | |
| Storyboard artist | Benjamin Kniebe | |
| Editor | Milena Michalek | |
| Editor | Moritz Geiser | |
| Dramaturgical editing advisor | Elena Weihe | |
| Dolly grip | Kilian Pohl | |
| Gaffer | Karl Neubart | |
| Lighting technician / electrician | Maayane Bouhnik | |
| Lighting technician / electrician | Daniel Tavares de Oliveira | |
| Lighting technician / electrician | Lena Thiemann | |
| Lighting technician / electrician | Martin Peter | |
| Fx makeup artist | Leeroy Jelonnek | |
| Production designer | Sophie Kindermann | |
| Assistant production designer | Clara von Schwerin | |
| Production manager | Maritza Grass | |
| Assistant production manager | Johanna Mecke | |
| Unit manager (local system) | Oskar Zoche | |
| Screenwriter | Moritz Geiser | |
| Script development | Juno Meinecke | |
| Production sound mixer | Nils Plambeck | |
| Production sound mixer | Alexander Ullmann | |
| Sound designer | Moritz Geiser | |
