Production accountant | Carmen Looker | |
Post production supervisor | Michaela Krauß | |
Director of photography | Holger Greiss | |
1st assistant camera | Finn Kölln | |
2nd assistant camera | Inga Jähngen | |
Data wrangler / digital loader | Jurij Tschabanow | |
Casting director | Phillis Dayanir | |
Costume designer | Bettina Weiß | |
Assistant costume designer | Kerstin Feldmann | |
Assistant costume designer | Stefanie Backhaus | |
Costumer / wardrobe | Xenia Gauss Hauptgarderobiere | Hauptgarderobiere |
Director | Stefan Bartmann | |
1st AD (local system) | Gero von Wedel | |
Script continuity | Garikoitz John | |
Editor | Biljana Grafwallner-Brezovska | |
Key grip | Manuel Schlegel | |
Grip | Adam Colwell | |
Gaffer | Wolfgang Erdmann | |
Lighting technician / electrician | Tim Deane | |
Lighting technician / electrician | Dirk Lehmann | |
Makeup artist / hair stylist | Petra Visic | |
Makeup artist / hair stylist | Jessica 'Jesse' Haupt | |
Composer | Andreas Weidinger | |
Producer | Vanessa Lackschéwitz | |
Executive producer | Michael Smeaton | |
Producer | Elvira Bolz | |
Assistant-/ junior-producer | Annalena Frieling | |
Production designer | Katie Lee | |
Line producer | Beate Balser | |
Production coordinator | Alexandra Sprogies | |
Unit manager (local system) | Gundula Dietrich | |
Set manager/ floor manager | Lutz Meier-Ewert | |
Screenwriter | Karsten Rüter | |
Screenwriter | Andreas Bradler | |
Literary source | Rosamunde Pilcher Short Story 'A perfect day' | Short Story 'A perfect day' |
Production sound mixer | Rupert Medele | |
Boom operator | Hannes Marget | |
Sound re-recording mixer | Michael Gerlach | |
Sound designer | Jochen Fenzl | |
Foley recordist | Pit Kuhlmann | |
Commissioning editor | Andrea Klingenschmitt | |