| Production accountant | Carmen Looker | |
| Post production supervisor | Michaela Krauß | |
| Director of photography | Holger Greiss | |
| 1st assistant camera | Finn Kölln | |
| 2nd assistant camera | Inga Jähngen | |
| Data wrangler / digital loader | Jurij Tschabanow | |
| Casting director | Phillis Dayanir | |
| Costume designer | Bettina Weiß | |
| Assistant costume designer | Kerstin Feldmann | |
| Assistant costume designer | Stefanie Backhaus | |
| Costumer / wardrobe | Xenia Gauss
Hauptgarderobiere | Hauptgarderobiere |
| Director | Stefan Bartmann | |
| 1st AD (local system) | Gero von Wedel | |
| Script continuity | Garikoitz John | |
| Editor | Biljana Grafwallner-Brezovska | |
| Key grip | Manuel Schlegel | |
| Grip | Adam Colwell | |
| Gaffer | Wolfgang Erdmann | |
| Lighting technician / electrician | Tim Deane | |
| Lighting technician / electrician | Dirk Lehmann | |
| Makeup artist / hair stylist | Jessica 'Jesse' Haupt | |
| Makeup artist / hair stylist | Petra Visic | |
| Composer | Andreas Weidinger | |
| Producer | Vanessa Lackschéwitz | |
| Executive producer | Michael Smeaton | |
| Producer | Elvira Bolz | |
| Assistant-/ junior-producer | Annalena Frieling | |
| Production designer | Katie Lee | |
| Line producer | Beate Balser | |
| Production coordinator | Alexandra Sprogies | |
| Unit manager (local system) | Gundula Dietrich | |
| Set manager/ floor manager | Lutz Meier-Ewert | |
| Screenwriter | Andreas Bradler | |
| Screenwriter | Karsten Rüter | |
| Literary source | Rosamunde Pilcher
Short Story 'A perfect day' | Short Story 'A perfect day' |
| Production sound mixer | Rupert Medele | |
| Boom operator | Hannes Marget | |
| Sound re-recording mixer | Michael Gerlach | |
| Sound designer | Jochen Fenzl | |
| Foley recordist | Pit Kuhlmann | |
| Commissioning editor | Andrea Klingenschmitt | |
