| Colorist | Samuel Lay | |
| Director of photography | Samuel Lay
Arriflex 416 // Ultra16 Primes 6/9,5/14/25mm, ARRI/Zeiss UltraPrime 32/50/85mm, Canon/Opex 1-165mm | Arriflex 416 // Ultra16 Primes 6/9,5/14/25mm, ARRI/Zeiss UltraPrime 32/50/85mm, Canon/Opex 1-165mm |
| Steadicam operator | Samuel Lay | |
| 1st assistant camera | Deborah Bode | |
| 2nd assistant camera | Vincent Schulist | |
| Costume designer | Maren Richter | |
| Costume designer | Elena Richter | |
| Director | Daniel Bauer [1] | |
| 1st AD (local system) | Noah Lischka | |
| Script continuity | Anja Haas | |
| Storyboard artist | Carolin Schulz | |
| Editor | Samuel Lay | |
| Editor | Daniel Bauer [1] | |
| Dolly grip | Yaro Blocksdorff | |
| Rigging grip | Christian Belz | |
| Gaffer | Tobias Bosseck
16 mm | 16 mm |
| Best boy electric | Michael Schwab | |
| Lighting technician / electrician | Nelly Schmidtlein | |
| Lighting technician / electrician | Sebastian Rüdele | |
| Lighting technician / electrician | Linus Kuttruff | |
| Lighting technician / electrician | Matthias Haller | |
| Additional electrician | Sebastian Lindlar | |
| Makeup artist / hair stylist | Carolin Schulz | |
| Fx makeup artist | Philipp Rathgeber | |
| Composer | Jan Pattscheck | |
| Producer | André Pörner | |
| Production designer | Felix Goral | |
| Assistant production designer | Anja Pachutzki | |
| Assistant production designer | Bonina Mußmann | |
| Standby props | Leonie Faller | |
| Assistant production manager | Noah Lischka | |
| 2nd assistant production manager | Yara Völker | |
| Unit manager (local system) | Wencke Schaper | |
| Assistant set/floor manager | Nicloe Schmidt | |
| Production sound mixer | Jan Pattscheck | |
| Boom operator | Robin Graf | |
| Sound designer | Jan Pattscheck | |
| Special effects technician | Tim Waldmann | |
| EPK / behind the scenes line producer | Alexander Weigand | |
| EPK / behind the scenes producer | Joshua Ewert | |
| Social media manager | Vanessa Jörger | |
