| Accounting Dept. | production accountant | Petra Lacoste Aleman | |
| Camera Department | director of photography | Torsten Breuer | |
| Camera Department | 1st assistant camera | Matthias Wrage | A-Cam |
| Camera Department | 1st assistant camera | Max Knauer | |
| Camera Department | 2nd ac second assistant camera | Pip Hare | + B Kam Focus |
| Camera Department | video playback operator | Michael Hehl | |
| Camera Department | still photographer | Marco Nagel | |
| Casting | casting director | Franziska Aigner | |
| Casting | casting assistant | Tom Gonsior | Kamera Kinder Casting |
| Costume Department | costume designer | Natascha Curtius-Noss | |
| Costume Department | assistant costume designer | Line Weichmann | |
| Costume Department | wardrobe | Nele Simon | historisch 1931 |
| Costume Department | wardrobe | Annina Goldfuss | |
| Costume Department | additional wardrobe | Manuela Bönecke | |
| Costume Department | additional wardrobe | Anisha Koebner | |
| Director's Department | director | Marcus H. Rosenmüller | |
| Director's Department | 1st assistant director | Jacqueline Winkel | |
| Director's Department | 2nd2nd resp. 3rd AD | Jonathan Werner | |
| Director's Department | script supervisor | Andrea Schorr | |
| Director's Department | Crowd Marshall | Ines Bauer | |
| Director's Department | Crowd Marshall | Nadine Scherer | / Kinderbetreuung |
| Director's Department | trainee director's department | Franziska Strasser | |
| Editing | editor | Georg Söring | |
| Editing | assistant editor | Grit Meyer | |
| Grip | key/dolly grip | Florian Speer | |
| Lighting | gaffer | Josef Wollinger | |
| Lighting | electrician | Bernadette Weinzierl | |
| Lighting | electrician | Nikolaus Pirchtner | |
| Lighting | electrician | Andy Feiler | |
| Lighting | additional electrician | Marcel Hein | 5 tage |
| Lighting | lighting assistant | Julian Herrmann | |
| Makeup Department | makeup artist / hair stylist | Anette Keiser | |
| Makeup Department | additional make up artist | Christina Baier | |
| Makeup Department | additional make up artist | Niciy Axt | |
| Producer | producer | Uli Aselmann | |
| Producer | producer | Robert Marciniak | |
| Producer | producer | Sophia Aldenhoven | |
| Production Design | production designer | Doerthe Komnick | |
| Production Design | production designer | Johannes Sternagel | gemeinsam mit Doerthe Komnick |
| Production Design | assistant production designer | Julia Panholzer | historisch 1931 |
| Production Design | prop master | Bele Schneider | Historisch 1931 |
| Production Design | standby props | Albrecht 'Ali' Hartmann | historisch 1931 |
| Production Design | assistant to propmaster /- buyer | Kerstin Grund | historisch |
| Production Design | location scout | Björn Grünler | |
| Production Design | location scout | Volker Petters | |
| Production Design | set builder | Oliver-Markus Waimann | Patina Klassenzimmer |
| Production Design | set builder | Peter Schuler | Bauleitung |
| Production Design | set builder | Stefan Musikant | |
| Production Design | set builder | Thomas Wimmer | 2 Wochen für Filmbau Peter Schuler |
| Production Design | stand by set builder | Michael Bleier | |
| Production Design | scenic painter | Tassilo Sussmann | Für Peter Schuler |
| Production Design | graphic artist | Robert Eisch | |
| Production Design | property driver | Philipp Rothhaas | |
| Production Design | property driver | Laszlo Somogyi | |
| Production Mgt. | line producer | Andreas Ch. Tönnessen | |
| Production Mgt. | production manager | Thomas Blieninger | |
| Production Mgt. | assistant production manager | Cecile Lichtinger | |
| Production Mgt. | unit manager | Peter Dörfler [1] | |
| Production Mgt. | set manager / 3rd AD | Manuel Kreuzpaintner | |
| Production Mgt. | 4th AD / Additional AD | Sibylle Follmer | |
| Production Mgt. | production driver | Bernd Oberueber | |
| Production Mgt. | production driver | Josef Reisner | |
| Screenplay | screenwriter | Christian Lerch | |
| Screenplay | screenwriter | Marcus H. Rosenmüller | |
| Screenplay | literary source | Anna Maria Jokl | |
| Sound Department | production sound mixer | Michael Vetter | |
| Sound Department | boom operator | Marcus Kastner | Tonmeister M. Vetter |
| Sound Department | sound trainee | Benjamin Vogel | |
| Sound Post Production | sound re-recording mixer | Michael Stecher | |
| Sound Post Production | sound designer | Matthias Pletz | |
| Sound Post Production | sound designer | Florian Neunhoeffer | |
| Sound Post Production | foley editor | Benedikt Uebe | |
| Sound Post Production | foley artist | Andreas Schneider [3] | |
| Special Effects | special effects supervisor | Jens Doeldissen | |
| Special Effects | special effects technician | Maximilian Franz | |
| Special Effects | special effects technician | Max Gretmann | |
| Special Effects | special effects technician | Christian Bibi Bierling | |
| Stunts | stunt coordinator | Holger Kriechel | |
| Stunts | stuntman/woman | Markus Daffinger | |
| Stunts | stuntman/woman | Holger Kriechel | |
| Stunts | stuntman/woman | Tim Vetter | |
| Stunts | stuntman/woman | Dennis Vetter | |
| Stunts | stunt rigger | Markus Daffinger | |
| Visual Effects | digital film compositor | Norbert Ruf | |
| Visual Effects | colorist | Manfred Turek | |
| Visual Effects | digital intermediate assistant | Marko Krinke | HD-Mastering |
| Further Crew | Caterer (Cook on Set) | Knut Probst | |
| Further Crew | child supervisor | Silvia Willmy | |
| Further Crew | child supervisor | Volker Petters | |
| Further Crew | child supervisor | Saskia Grabow | Kinderkoordination u Set |
| Further Crew | child supervisor | Ole Wilken | |
