Production accountant | Robert Amon | |
Director of photography | Hans Selikovsky | |
Camera operator | Markus Selikovsky | |
Steadicam operator | Markus Selikovsky | |
1st assistant camera | Markus Selikovsky | |
2nd assistant camera | Dieter Knestel | |
Steadicam focus puller | Dieter Knestel | |
Video assist/playback operator | Alice Gromes Gripassistenz | Gripassistenz |
Costume designer | Erika Navas | |
Costume designer | Maurizio Giambra + Erika Navas | + Erika Navas |
Costumer / wardrobe | Anne Kölbl (zweite Garderobiere) | (zweite Garderobiere) |
Director | Thomas Roth | |
1st AD (local system) | Sabine Utz | |
Editor | Dagmar Lichius | |
Editor | Bernhard Schmid | |
Assistant editor | Reinhard Schweiger | |
Gaffer | Heinz Knapp | |
Best boy electric | Lukas Kern | |
Key makeup artist/hair stylist | Daniela Langauer | |
Fx makeup artist | Roman Braunhofer | |
Composer | Lothar Scherpe | |
Production designer | Georg Resetschnig | |
Prop master | Johannes Slapa | |
Standby props | Gerhard Krummeich | |
Production manager | Markus Pauser | |
Production coordinator | Gina Ertl | |
Assistant production manager | Johannes Reschl Assistent der Set-AL | Assistent der Set-AL |
Assistant production manager | Gina Ertl | |
Unit manager (local system) | Robert Sattler | |
Set manager/ floor manager | Christoph Becker [1] | |
Screenwriter | Thomas Roth | |
Production sound mixer | Walter Amann | |
Boom operator | Dietmar Zuson | |
Boom operator | Klaus Federer | |