| Light technician | Jan Polak | |
| Director of photography | David Slama | |
| Director of photography | Robert Stopfer
A-Cam/Steadicam kompl | A-Cam/Steadicam kompl |
| 1st assistant camera | Gerald Helf | |
| 1st assistant camera | Dieter Knestel
B-Kamera | B-Kamera |
| 2nd assistant camera | Florian Gasser | |
| Still photographer | Petro Domenigg | |
| Costume designer | Max Wohlkönig | |
| Director | Andreas Prochaska | |
| 1st AD (local system) | Andrea Inreiter-Aust | |
| 2nd AD crowd (local system) | Armin Pellegrini | |
| Script continuity | Alice Gromes | |
| Assistant editor | Peter Jaitz | |
| Key grip | Emmanuel Aubry | |
| Grip | Thomas Holy | |
| Crane operator | Karlo Barber | |
| Gaffer | Stefan Gauss | |
| Best boy electric | Harald Lechner | |
| Lighting technician / electrician | Erich Mader | |
| Lighting technician / electrician | Jan Polak | |
| Additional electrician | Lukas Kern | |
| Makeup artist / hair stylist | Danijela Brdar
Maskenbildnerin | Maskenbildnerin |
| Producer | Josef Aichholzer | |
| Production designer | Verena Wagner | |
| Assistant production designer | Julia Gmoser | |
| Prop master | Michael Hochwarter | |
| Production manager | Bernhard Schmatz | |
| Production coordinator | Loredana Rehekampff | |
| Unit manager (local system) | Gregor Schmalix | |
| Set manager/ floor manager | Jürgen Pertak | |
| Set manager/ floor manager | Nicholas Weigand-Suminski
2. Setaufnahmeleiter | 2. Setaufnahmeleiter |
| Screenwriter | Martin Ambrosch | |
| Foley artist | Andreas Schneider | |
| Commissioning editor | Wolfgang Feindt | |
| Caterer (assistance on set) | Sebastian Lessner
i. A. Ploiner Catering | i. A. Ploiner Catering |
