Vfx producer | Isabella Braun | |
Post production coordinator | Viviana Hochstätter | |
Vfx supervisor | Lukas Löffler | |
Motion graphics designer | Samuel Lewek | |
Director of photography | Konstantin Pape Arriflex 416/ Amira | Arriflex 416/ Amira |
1st assistant camera | Tobias Wolf [2] | |
2nd assistant camera | Niklas D.M. Gutsche Arriflex 416, Amira | Arriflex 416, Amira |
Casting director | Priska Kraft | |
Costume designer | Nicole Hutmacher | |
Assistant costume designer | Hanna Senk | |
Director | Oona-Lea von Maydell | |
1st AD (local system) | Anna Lena Höhne | |
Crowd 2nd AD (local system) | Nicola Bläs | |
Script continuity | Piet Grünberg | |
Editor | Tim Plaster | |
Assistant editor | Myrthe Rehbein | |
Key grip | Florian Vogel [1] + Electrician | + Electrician |
Dolly grip | Florian Vogel [1] | |
Gaffer | Simon Kramer DOP. Konstantin Pape | DOP. Konstantin Pape |
Best boy electric | Jacob Pertz | |
Lighting technician / electrician | Jacob Pertz | |
Lighting technician / electrician | Bianca Naumann | |
Makeup artist / hair stylist | Helen Wichern | |
Additional make up artist | Beate Bauer | |
Producer | Titus Bewerunge | |
Production designer | Olga Gredig | |
Assistant production designer | Nora Bock | |
Art director | Benedict Hahn | |
Standby props | Lynn Lipka | |
Graphic artist | Dirk Ehrhardt | |
Line producer | Thomas Lechner | |
Production manager | Anna Maria Pürthner | |
Assistant production manager | Saba Mehdizadeh | |
Production assistant | Patrick Müller | |
Production assistant | Julian Lippke | |
Screenwriter | Oona-Lea von Maydell | |
Production sound mixer | Frederic Hellmann | |
Boom operator | Bjarne Taurnier | |
Boom operator | Arash Akrami | |
Boom operator | Jan-Eric Heitland | |
Sound re-recording mixer | Frederic Hellmann | |
Foley recordist | Samuel Krupke | |
Dialogue editor | Jan-Eric Heitland | |
Hygiene officer | Clemens Szczesny | |