Production accountant | Carmen Looker | |
Director of photography | Holger Greiss | |
Director of photography | Morgan Lowndes | |
1st assistant camera | Finn Kölln | |
2nd assistant camera | Inga Jähngen | |
Data wrangler / digital loader | Jurij Tschabanow + B-Fokus | + B-Fokus |
Casting director | Phillis Dayanir | |
Casting assistant | Tania Barbosa Dayanir & Hellwig Casting | Dayanir & Hellwig Casting |
Casting trainee | Carla Kalscheuer | |
Costume designer | Bettina Weiß | |
Assistant costume designer | Anne-Marie Summer | |
Costumer / wardrobe | Christina Isabell Molitor | |
Director | Marc Prill | |
1st AD (local system) | Garikoitz John | |
Script supervisor | Britta Butzmühlen | |
Editor | Ilana Goldschmidt | |
Key grip | Manuel Schlegel | |
Grip | Mark Ebbage | |
Gaffer | Burhan Dag | |
Makeup artist / hair stylist | Steffi Baumann | |
Makeup artist / hair stylist | Anja Mohr | |
Composer | Patrick M. Schmitz | |
Producer | Annette Pisacane | |
Producer | Judith Smeaton | |
Producer | Michael Smeaton | |
Producer | Elvira Bolz | |
Assistant-/ junior-producer | Julia Loosen | |
Production designer | Katie Lee | |
Production coordinator | Emily Tudbury | |
Unit manager (local system) | Anita Schenk | |
Set manager/ floor manager | Stefan Knäpper | |
Screenwriter | Uschi Müller | |
Literary source | Rosamunde Pilcher short story 'Waiting for Amanda' | short story 'Waiting for Amanda' |
Production sound mixer | Uwe Schiefer | |
Boom operator | Oliver Hemm | |
Sound re-recording mixer | Michael Gerlach | |
Sound designer | Jochen Fenzl | |
Commissioning editor | Andrea Klingenschmitt | |
Commissioning editor | Verena von Heereman | |