| Post production supervisor | Markus Stoll | |
| Vfx supervisor | Martin Zwanzger | |
| Fx animator | Frank Glencairn | |
| Colorist | Philipp Horsch | |
| Director of photography | Martin Schlecht | |
| 2nd unit dop | Namche Okon | |
| 1st assistant camera | Max Brinkschulte | |
| 2nd assistant camera | Moritz Schmitz von Hülst
RedOne | RedOne |
| Casting director | Emrah Ertem | |
| Costume designer | Claudia Unger | |
| Assistant costume designer | Caroline Andre
und Garderobe | und Garderobe |
| Director | Thomas 'Tom' Bohn | |
| 1st AD (local system) | Ole Zapatka | |
| Script supervisor | Julia Koch [1] | |
| Script | Julia Koch [1] | |
| Assistant editor | Markus Stoll | |
| Key grip | Simon Arevalo Saint-Jean | |
| Gaffer | Namche Okon
2nd Unit Kamera | 2nd Unit Kamera |
| Best boy electric | Christian Wunderlich
Vertretung | Vertretung |
| Best boy electric | Kai Giegerich | |
| Producer | Tom Rom | |
| Executive producer | Wolfgang Ilnicki | |
| Production designer | Joachim Schäfer | |
| Set builder | Fritz Altewische | |
| Stand by set builder | Friedrich Altewische | |
| Assistant production manager | Susanne Fuller | |
| Set manager/ floor manager | Volker Stappenbeck | |
| Production driver | Benedikt Haas | |
| Production sound mixer | Erich Lutz | |
| Boom operator | André 'Peti' Petkus | |
| Foley recordist | Andrew Mottl
props | props |
| Foley artist | George Hapig | |
