| Production controller | Jens Ahlfeld-Päffgen | |
| Assistant production accountant | Zewdenesch Zewdie
Buchhaltung (Datev) ohne Gagenabrechnung | Buchhaltung (Datev) ohne Gagenabrechnung |
| Post production supervisor | Tillman Schmidt-Kärner | |
| Post production assistant | Iris Oeltjen | |
| Compositing supervisor | Max Marvin Kuper
Cine Chromatix | Cine Chromatix |
| Digital compositor / compositing artist | Alexander Marschner
Cine Chromatix KG | Cine Chromatix KG |
| Colorist | Delfina Mayer
Cine Chromatix | Cine Chromatix |
| Director of photography | Peter Nix
ARD | ARD |
| 1st assistant camera | Carla Heinemann | |
| 2nd assistant camera | Laura Nathalie Naschlenas | |
| Data wrangler / digital loader | Ingo Blacha
ALEXA | ALEXA |
| Still photographer | Julia von Vietinghoff | |
| Casting director | Bo Rosenmüller | |
| Costume designer | Wiebke Kratz | |
| Assistant costume designer | Anne Riedzewski
Komparserie hist.60-80iger | Komparserie hist.60-80iger |
| Assistant costume designer | Anette Tirler | |
| Costumer / wardrobe | Maxi Munzert
1950er - 1970er | 1950er - 1970er |
| Director | Nils Willbrandt | |
| 1st AD (local system) | Matthias Junge | |
| Script continuity | Leonie Röll | |
| Trainee director's department | Matthias Wörz | |
| Editor | Sebastian Thümler | |
| Key grip | Dieter Bähr | |
| Grip | Sven Mickeleit | |
| Remote head technician | Sebastian Krückl
{felix,tr3}[alexa]1DT | {felix,tr3}[alexa]1DT |
| Gaffer | Roland Knitter | |
| Lighting technician / electrician | Yagiz Tulloch
istanbul/turkey shootings | istanbul/turkey shootings |
| Lighting assistant | Ferdinand Fehlberg | |
| Makeup artist / hair stylist | Paula Leupold | |
| Makeup artist / hair stylist | Uta Spikermann | |
| Makeup artist / hair stylist | Babette Bröseke | |
| Makeup artist / hair stylist | Anja Daum | |
| Additional make up artist | Marie-Eglantine Romm | |
| Additional make up artist | Babette Bröseke | |
| Additional make up artist | Wolfgang Lienig | |
| Producer | Tanja Ziegler | |
| Production designer | Bärbel Menzel | |
| Assistant production designer | Sylva Holeksova-Scheibe | |
| Prop master | Britta Albert | |
| Standby props | Björn Holzhausen | |
| Set dresser | Greta Trütken | |
| Location scout | Emilio Winschetti
Haus Latife | Haus Latife |
| Location scout | Marei Wenzel | |
| Line producer | Angela Gillner
Historisch | Historisch |
| Assistant to line producer | Jan Meseck | |
| Assistant to line producer | Anna Matthäi
HL: Angela Gillner | HL: Angela Gillner |
| Production manager | Susanne Bergmann
historisch | historisch |
| Assistant production manager | Ursula Küster | |
| Unit manager (local system) | Steven Borski | |
| Location manager (local system) | Caroline Krtschmarsch | |
| Set manager/ floor manager | Jasmin Riedel | |
| Assistant set/floor manager | Tim Ahrens | |
| Production driver | Uwe Glaser | |
| Production driver | Frank Buchfelder | |
| Set runner | Jermain Graeuert | |
| Screenwriter | Nils Willbrandt | |
| Literary source | Lale Akgün | |
| Production sound mixer | Andreas Mücke Niesytka | |
| Boom operator | Sven Krüger | |
| Sound re-recording mixer | Clemens Grulich | |
| Sound designer | Kirsten Kunhardt | |
| Foley artist | Peter Deininger | |
| Special effects supervisor | Claudius Rauch
Rauch Special Effects | Rauch Special Effects |
| Commissioning editor | Barbara Süßmann | |
| Line producer (broadcaster) | Frank Horak
ARD DEGETO Prüfung | ARD DEGETO Prüfung |
