Director of photography | Johann Kunz Nierade | |
Steadicam operator | Max Egner | |
1st assistant camera | Max Meißner | |
2nd assistant camera | Shakima Galarza Bello | |
DIT digital imaging technician | Georg Tabeling | |
Costume designer | Luisa Kunipatz | |
Director | Jan Weber | |
1st AD (local system) | Antonia Brandt | |
2nd AD (local system) | Pia-Donata Pach | |
Script supervisor | Leila Knörr | |
Key grip | Mario Zettel Dolly Grip | Dolly Grip |
Best boy grip | Maximilian Nierade | |
Dolly grip | David Bergmann | |
Gaffer | Tim Boller | |
Lighting technician / electrician | Ferenc Bodor | |
Lighting technician / electrician | Jacob Bestgen | |
Lighting technician / electrician | Helena Köppen | |
Lighting technician / electrician | Jakob Grasböck | |
Lighting technician / electrician | David Bergmann | |
Additional make up artist | Viktoria Schmidt [1] | |
Production designer | Rika Schneider | |
Assistant production designer | Liv Grete Schmerbauch | |
Assistant production designer | Emma Sophie Schaub | |
Standby props | Rosa Galli | |
Set dresser | Ana María Alarcón Quinche | |
Set dresser | Weronika Lesniewska | |
Line producer | René Beine | |
Production manager | Justus Hagemann | |
Set manager/ floor manager | Ben-Alexander Hüttig | |
Production sound mixer | Henrik Gueffroy | |
Boom operator | Paul Wieting 3 days | 3 days |
Sound designer | Henrik Gueffroy | |