| Director of photography | Johann Kunz Nierade | |
| Steadicam operator | Max Egner | |
| 1st assistant camera | Max Meißner | |
| 2nd assistant camera | Shakima Galarza Bello | |
| DIT digital imaging technician | Georg Tabeling | |
| Costume designer | Luisa Kunipatz | |
| Director | Jan Weber | |
| 1st AD (local system) | Antonia Brandt | |
| Crowd 2nd AD (local system) | Pia-Donata Pach | |
| Script continuity | Leila Knörr | |
| Key grip | Mario Zettel
Dolly Grip | Dolly Grip |
| Best boy grip | Maximilian Nierade | |
| Dolly grip | David Bergmann | |
| Gaffer | Tim Boller | |
| Lighting technician / electrician | Jakob Grasböck | |
| Lighting technician / electrician | David Bergmann | |
| Lighting technician / electrician | Ferenc Bodor | |
| Lighting technician / electrician | Jacob Bestgen | |
| Lighting technician / electrician | Helena Köppen | |
| Additional make up artist | Viktoria Schmidt [1] | |
| Production designer | Rika Schneider | |
| Assistant production designer | Liv Grete Schmerbauch | |
| Assistant production designer | Emma Sophie Schaub | |
| Standby props | Rosa Galli | |
| Set dresser | Weronika Lesniewska | |
| Line producer | René Beine | |
| Production manager | Justus Hagemann | |
| Set manager/ floor manager | Ben-Alexander Hüttig | |
| Boom operator | Paul Wieting
3 days | 3 days |
