| Vfx supervisor | Masoomeh Agahi
VFX | VFX |
| Director of photography | Friedemann Röse | |
| Director of photography | Edgar Hill | |
| Steadicam operator | Sarah Alisch | |
| 1st assistant camera | Carolin Obitz | |
| 2nd assistant camera | Elsa Binney | |
| Director | Felipa Goltz | |
| Director | Rosa Gocht | |
| 1st AD (local system) | Jan Weber | |
| Script continuity | Szaga Lauwers | |
| Editor | Masoomeh Agahi | |
| Dolly grip | Sophie Heyer | |
| Gaffer | Ole Dietz | |
| Lighting technician / electrician | Jamila Schamanek | |
| Lighting technician / electrician | Nastia Schlötke | |
| Lighting technician / electrician | Jakob Grasböck | |
| Lighting technician / electrician | David Bergmann | |
| Additional electrician | Matteo Welsch | |
| Additional electrician | Johannes Schneider [2] | |
| Producer | Laurina Ströll | |
| Production designer | Klothilde Habrant | |
| Production designer | Felipa Goltz | |
| Prop master | Hannah Seitlinger | |
| Standby props | Robin Mandry | |
| Assistant stand by props | Leni Winzer | |
| Production manager | Laurina Ströll | |
| Set manager/ floor manager | Anna Sophie Conring | |
| Set runner | Jonathan Auer | |
| Production sound mixer | Tim Andersen | |
| Boom operator | Maryla Kłosowska | |
| Boom operator | Helen Mcgovern | |
| Sound designer | Tim Andersen | |
