| Title designer | Damián Martone | |
| Colorist | Benjamin Meyer [1] | |
| Director of photography | Lena Krenz | |
| Steadicam operator | Lasse Liebelt | |
| 1st assistant camera | Justus Maximilian Riechers
Arri Alexa SXT-W, Vantage One | Arri Alexa SXT-W, Vantage One |
| 2nd assistant camera | Emma Lena Weber | |
| DIT digital imaging technician | Lisa Ward | |
| Costume designer | Nafiseh Mirshamsi | |
| Director | João Pedro Prado | |
| 1st AD (local system) | Rosalie Müller | |
| Script supervisor | Julia Guiotti | |
| Editor | Juan Carlos Bautista | |
| Key grip | Friedemann Röse | |
| Best girl grip | Sophie Heyer | |
| Best boy grip | Friedemann Röse | |
| Gaffer | Jakob Schleiter | |
| Best girl electric | Leyla Hoppe | |
| Lighting technician / electrician | Farrell Streitparth-Weber | |
| Lighting technician / electrician | Helena Köppen | |
| Makeup artist / hair stylist | Maite Herrendorf | |
| Musician | Azin Zahedi | |
| Producer | Vincent Edusei | |
| Production designer | Narcis Karimi Nejad | |
| Production designer | Josephine Calliotte | |
| Assistant production designer | Franziska Hoffmann | |
| Assistant production designer | Lilith Düvelmeyer | |
| Assistant production designer | Karoline Schnittker | |
| Graphic designer | Rika Schneider | |
| Graphic artist | Franziska Hoffmann | |
| Unit manager (local system) | Vincent Edusei | |
| Set manager/ floor manager | Moritz Michal | |
| Assistant set/floor manager | Diana Weiz | |
| Set runner | Johannes Bieber | |
| Production sound mixer | Jakob Ludwig | |
| Second boom operator | Frida Lehmann | |
| Second boom operator | Leon Fiedler | |
| Second boom operator | Philemon Montaser | |
| Sound supervisor | Jakob Ludwig | |
| Sound re-recording mixer | Mischa Kissin | |
| Sound designer | Jakob Ludwig | |
| Foley recordist | Joh Weisgerber | |
| Foley artist | Peter Sandmann | |
