| Production accountant | Jasmin Khanzadeh | |
| Post production supervisor | Philipp Kampff
Inhouse D-Facto Motion | Inhouse D-Facto Motion |
| Colorist | Jan Chromik
D-Facto Motion | D-Facto Motion |
| Director of photography | Gunnar Fuß | |
| Additional photography | Alexander Palm
1 day operator 2nd camera | 1 day operator 2nd camera |
| 1st assistant camera | Jan Meckel
A-Cam 33 days, Denmark, Baltic Sea, Hamburg | A-Cam 33 days, Denmark, Baltic Sea, Hamburg |
| 1st assistant camera | Florian Seemann | |
| 1st assistant camera | Paul Demke
B-Cam 1DT | B-Cam 1DT |
| 2nd assistant camera | Paul Demke
Drone Op, Movi Pro | Drone Op, Movi Pro |
| Data wrangler / digital loader | Jonas Deierling | |
| Rear projection plates operator | Greta Niemann
Project manager | Project manager |
| Rear projection plates operator | Hendrik Dyga | |
| Video assist/playback operator | Jonas Deierling | |
| Still photographer | Nicolas Maack
4 Tage Vertretung | 4 Tage Vertretung |
| Casting director | Rebecca Gerling | |
| Costume designer | Natascha Curtius-Berger | |
| Costume designer | Carola Neutze | |
| Costumer / wardrobe | Andy Lin Mrozek
2x90min | 2x90min |
| Costumer / wardrobe | Nina Kugland | |
| Director | Thomas Berger | |
| 1st AD (local system) | Jana Filzhuth | |
| Crowd 2nd AD (local system) | Nelis Friedrichs | |
| Script continuity | Felix Suckut | |
| Extras coordinator | Franziska Steinhagen | |
| Editor | Maren Unterburger | |
| Assistant editor | Cathrin Landgraf | |
| Assistant editor | Tim Marcus Dethlefsen | |
| Key grip | Benjamin Anton | |
| Grip | Vico Spahic | |
| Grip | Daniele Boselli
26 Shooting Days | 26 Shooting Days |
| Gaffer | Daniel Kuhn | |
| Best boy electric | Frank Pfeffer
(2.Teil & 3 Tage Vertretung Daniel Kuhn) | (2.Teil & 3 Tage Vertretung Daniel Kuhn) |
| Lighting technician / electrician | Leo Schwarz | |
| Makeup artist / hair stylist | Heiko Wengler-Rust | |
| Additional make up artist | Meike Pitke | |
| Composer | Florian Tessloff | |
| Composer | Raffael Seyfried | |
| Producer | Jutta Lieck-Klenke | |
| Producer | Dietrich Kluge | |
| Assistant-/ junior-producer | Julia Brand
Projektkoordination ZDF | Projektkoordination ZDF |
| Assistant to producer | Marlene Rudolph | |
| Production designer | Thorsten Lau | |
| Prop master | Kim Porr | |
| Standby props | Mareike Florczik | |
| Assistant stand by props | Annemarie Lück | |
| Graphic artist | Isabel Schäfer | |
| Line producer | Roger Daute | |
| Production manager | Andrea Bockelmann | |
| Production coordinator | Isabell Wulff | |
| Unit manager (local system) | Dörte Brodesser | |
| Location manager (local system) | Tobias von Schönermark
Hamburg, Ost-Holstein, Dänemark | Hamburg, Ost-Holstein, Dänemark |
| Location manager (local system) | Tobi Kukla
Vertretung der letzten 10 Drehtage | Vertretung der letzten 10 Drehtage |
| Travel coordinator | Lóránd-Manuel Barabás | |
| Production assistant | Miriam Kölling
Base-Managerin | Base-Managerin |
| Blocker | Norma Peeck
1 DT | 1 DT |
| Production driver | Henning Weber | |
| Set runner | Johanna Hoppe | |
| Set runner | Alicia Bieri | |
| Set runner | Adrian Lächele | |
| Screenwriter | Thomas Berger | |
| Production sound mixer | Benjamin Schubert | |
| Production sound mixer | Christian Hermans | |
| Boom operator | Robin Hörrmann
2 x 90 min | 2 x 90 min |
| Boom operator | Sven Gosselk
7 Drehtage | 7 Drehtage |
| Stunt coordinator | Felix Quinton
For Double-Action | For Double-Action |
| Commissioning editor | Daniel Blum | |
