| Accountant | David Göttfert | |
| Post production supervisor | Ninette Botha | |
| Colorist | Martin Becker | |
| Director of photography | Alex J. Moll | |
| Additional photography | Katharina Wetz | |
| 1st assistant camera | Anna Katharina Wagner | |
| 1st assistant camera | Alexander 'Dex' Decker
Sony Venice LF, Sigma FF-HS T1.5 | Sony Venice LF, Sigma FF-HS T1.5 |
| 1st assistant camera | Dustin Rasimowicz
5 DT | 5 DT |
| 2nd assistant camera | Jakob Struck | |
| Assistant camera (non fiction) | Jakob Struck | |
| Casting director | Marc Schötteldreier | |
| Extras/bit player casting | Catharina Schwarze | |
| Extras/bit player casting | Angel Pinar | |
| Costume designer | Verena Reuter-Züll | |
| Director | Michael Mueller | |
| Editor | Johannes Hiroshi Nakajima | |
| Assistant editor | Jonas Thoma | |
| Makeup artist / hair stylist | Yasmin Iqbal | |
| Producer | Till Derenbach | |
| Assistant to producer | Hanna Schulz | |
| Production designer | Pierre Pfundt | |
| Set decorator | Ludwig Schlepegrell | |
| Prop master | Mike Bruckmann | |
| Standby props | Christina Degenhardt | |
| Location scout | Jan Lewis
Tipps & Beratung | Tipps & Beratung |
| Location scout | Markus Zimmer [1] | |
| Property driver | Claus Rusicke | |
| Line producer | Till Derenbach | |
| Production manager | Len Reddemann | |
| Production manager | Ed Ehrenberg | |
| Assistant production manager | Hanna Schulz | |
| Unit manager (local system) | Len Reddemann | |
| Travel coordinator | Judith Weiler | |
| Production secretary | Hanna Schulz | |
| Screenwriter | Michael Mueller | |
| Script development | Till Derenbach | |
| Production sound mixer | Jakob Struck | |
| Sound re-recording mixer | Hendrik Bleier | |
| Sound designer | Maximilian Rodegra | |
| Sound editor | Matteo Bohé | |
