Production accountant | Carmen Looker England | England |
Assistant production accountant | Ulrike Zimmermann [2] | |
Post production supervisor | Michaela Krauß | |
Director of photography | Gernot Köhler | |
1st assistant camera | Timm Michael Reiter | |
2nd assistant camera | Florian Schwarz 16mm | 16mm |
Still photographer | Jon Ailes | |
Costume designer | Bettina Weiß | |
Assistant costume designer | Alexandra Wasserthal-Zuccari | |
Costumer / wardrobe | Jessica Birker | |
Director | Hans Jürgen Tögel | |
1st AD (local system) | Inge Kuta | |
Script continuity | Ilona Probst | |
Editor | H. Britta Thomas | |
Assistant editor | Ismet Gündüz | |
Key grip | Peter Wilhelm | |
Gaffer | Wolfgang Erdmann | |
Lighting technician / electrician | Marcel Hein | |
Lighting technician / electrician | Enver Fidan | |
Lighting assistant | Max Smeaton | |
Makeup artist / hair stylist | Nicole Stoewesand 1.Maske | 1.Maske |
Makeup artist / hair stylist | Dorle Neft | |
Producer | Heidi Ulmke | |
Producer | Michael Smeaton | |
Producer | Vanessa Lackschéwitz | |
Production designer | Ed Turner | |
Location scout | Roger Elliott | |
Line producer | Beate Balser | |
Line producer | Elvira Bolz | |
Production coordinator | Veronika Kruse | |
Unit manager (local system) | Gundula Dietrich England/Cornwall/Devon | England/Cornwall/Devon |
Location manager (local system) | Roger Elliott | |
Set manager/ floor manager | Lutz Meier-Ewert | |
Screenwriter | Martin Wilke | |
Screenwriter | Silke Morgenroth | |
Production sound mixer | Olav Gross | |
Boom operator | Heiko Birkenstock | |
Sound designer | Thorsten Minning | |