| Postproduction Supervisor | Tatjana Otta | |
| Colorist | Andreas Brueckl | |
| Casting Director | Sole Orozco | |
| Kameramann/DoP | Luis de Maia
DOP - RED 120fps Ultra Primes,5D/7D | DOP - RED 120fps Ultra Primes,5D/7D |
| 2nd Unit Kameramann | Roman Lipah | |
| 1. Kameraassistentin | Salomé Lou Römer | |
| 2. Kameraassistentin | Ana González | |
| Standfotograf | Alex Pusch | |
| Oberbeleuchter | José Manuel Hernandez | |
| Best Boy Licht | Oscar Etayo | |
| Maskenbildnerin | Antonella Camponeschi | |
| Executive Producer | Joachim Hellinger | |
| Supervising Producer | Ludger Gorschlüter
Spain | Spain |
| Szenenbildnerin | Layara Dodani | |
| Art Director | Rob Orchard | |
| Location Scout | Rosy Cano | |
| Location Scout | Carlos Baroja | |
| Herstellungsleiter (Line Producer) | Christoph Wallmeyer | |
| Herstellungskoordinatorin (Line Production Coordinator) | Kathrin Laugalies
SUR-FILM | SUR-FILM |
| Produktionsleiter | Ludger Gorschlüter
Tenerife Spain | Tenerife Spain |
| Produktionsassistentin | Pamela Romic | |
| Produktionsfahrerin | Ariel Santana | |
| Produktionsfahrer | Tinerfe Martin | |
| Regisseur | Maximilian Gerlach
KRONCK (M. Gerlach & J. Benzing) | KRONCK (M. Gerlach & J. Benzing) |
| Regisseurin | Jessica Benzing
Regieduo KRONCK mit Maximilian | Regieduo KRONCK mit Maximilian |
| Filmeditor | Wolfgang Weigl | |
| Filmeditor | Vincent Urban | |
| SFX Spezialeffekte Supervisor | Jan Ott | |
| Sound Designer | Clemens Becker | |
