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Lalon (2004)

Sparte Kinospielfilm
Regie Tanvir Mokammel
Ausführende Produktion Kino Eye Films [bd]
 
ProduktionslandBangladesch

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 Schauspieler Rollename

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 Abteilung Tätigkeit Name Anmerkung
  Ausstattung Art Director  Uttam Guha
  Kamera Kameramann  Anwar Hossain
  Regie Regisseur  Tanvir Mokammel
  Schnitt Editor  Mahadeb Shi
  Ton Filmtonmeister  Muhammad Satter Nachvertonung, Geräuschemacher
  Ton-Postproduktion Sounddesigner  Muhammad Satter

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 Firma  
  Kino Eye Films [bd]

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 Firma  

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 Geschäftsbereich Firma

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Lalon Fakir (? – 1890), a doyen among the Baul-Fakirs of Bengal, composed few hundred songs of profound depth and an excellent sense of music. Buddhist Tantricism, Hindu Vaisnavism and Islamic Sufism all have their shares of influence on Lalon. Throughout the decades Lalon’s songs, depicting asceticism and transience of life, have expressed the pathos and pangs of the caste-ridden subaltern rural populace of Bengal. Lalon's secular ideas and enchanting lyrics left deep influence on the subsequent generations of the different trends of Baul-Fakirs of Bangladesh and India. Though Lalon died only a hundred years ago yet not much details of his life is clearly known and some aspects are still shrouded in mystery. By portraying the milieu of Lalon who was a kind of a Guru during his life-time, the film aims to catch the social ethos of his period. Some historical personalities, who were prominent in the cultural history of Bengal of that time and came in touch with Lalon, like Jyotirindranath Tagore, Kangal Harinath and Mir Mosharraf Hossain, also figure in the film. The film tries to portray Lalon's life, persona and ideas mainly through the lyrics of his songs.

(Source: http://tanvirmokammel.com/home/index.php?option=com_content&view=article&id=28&Itemid=23 )

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 Produktionsinformationen   Anzahl der Drehtage k.A.
  Lauflänge 120'
 Technische Informationen   Seitenverhältnis k.A.
  Bildnegativmaterial 35mm
  Bildpositivmaterial 35mm
  Farbe/SW Farbe