| Director of photography | Maximilian Hoever
S-16mm | S-16mm |
| 1st assistant camera | Christine Niemann
16mm, 40-Minüter | 16mm, 40-Minüter |
| 2nd assistant camera | Steffi Scherf | |
| Video assist/playback operator | Justus Hoever | |
| Director | Sarah Judith Mettke | |
| 1st AD (local system) | Christoph Joecker
40min / 16mm | 40min / 16mm |
| Script continuity | Susanne Wagner [1] | |
| Key grip | Florian Ritter | |
| Gaffer | Yoshi Heimrath | |
| Lighting technician / electrician | Marco Fischer
Best Boy | Best Boy |
| Lighting technician / electrician | Stephan Große | |
| Lighting technician / electrician | Simon Denda
Best Boy | Best Boy |
| Lighting technician / electrician | Markus Koch | |
| Lighting technician / electrician | Gabriel Lobos | |
| Lighting technician / electrician | Duy Anh Pham | |
| Makeup artist / hair stylist | Dana Bieler | |
| Composer | Karol Obara | |
| Producer | Amelie Küster | |
| Associate producer | Steffen Wilhelm | |
| Production designer | Indra Nauck | |
| Assistant production designer | Karolina Serafin | |
| Prop master | Ole Voss | |
| Standby props | Terence Weissbrodt
und Szenenbildhelfer | und Szenenbildhelfer |
| Location scout | Jakob Neuhäusser | |
| Assistant set/floor manager | Cleo Schrieb | |
| Set runner | Marcell Friese | |
| Screenwriter | Sarah Judith Mettke | |
| Production sound mixer | Andrew Mottl | |
| Boom operator | David Dimartino | |
| Boom operator | Alexander Würtz | |
| Sound re-recording mixer | Christian Heck
+ Sound Design | + Sound Design |
| Sound designer | Christian Heck | |
| Sound designer | Karol Obara | |
| Dialogue editor | Andrew Mottl | |
