| Production accountant | Yvonne Kowal | |
| 1st AD | Tamás Lukács | |
| Key 2nd AD | Réka Belsö | |
| Floor 2nd AD | Attila Pluhár | |
| 3rd AD | Gábor Csépai | |
| AD PA | Henriette Barth | |
| Vfx producer | Christopher Lenke | |
| Vr producer | Jan Schneider [2] | |
| Post production supervisor | Rebekka Garrido | |
| Post production coordinator | Jasmin Saunders
Post Production | Post Production |
| Vfx supervisor | Philip Nauck | |
| Vfx supervisor | Frank Kaminski
mit Lampion VFX, Budapest | mit Lampion VFX, Budapest |
| Concept artist (vfx) | Lars Künstler | |
| VFX production coordinator | Christine Resch
Netflix Studio VFX Coordinator, EMEA | Netflix Studio VFX Coordinator, EMEA |
| Colorist | Nico Hauter | |
| DI digital intermediate supervisor | Sebastian Hermann
Rotor Film | Rotor Film |
| Director of photography | Henner Besuch | |
| Drone camera operator | Fabio Spitzenberg | |
| 1st assistant camera | Maximilian Günther
Berlin Shoot | Berlin Shoot |
| 2nd assistant camera | Nagy Krisztián
Daily 2nd Ac. | Daily 2nd Ac. |
| DIT digital imaging technician | Clemens Wolfart
Dailies Color Grading | Dailies Color Grading |
| Rear projection plates operator | Tobias Sieben
Plate Operator | Plate Operator |
| Rear projection plates operator | Felix Maul
Plate Operator | Plate Operator |
| Rear projection plates operator | Ben Immel
Plate Assistant | Plate Assistant |
| Rear projection plates operator | Thomas Matysiak
Project manager | Project manager |
| Casting director | Simone Bär | |
| Costume designer | Ingken Benesch | |
| Assistant costume designer | David Werer | |
| Director | Robert Thalheim | |
| Script supervisor | Leonie Röll | |
| Editor | Stefan Kobe | |
| Editor | Anja Siemens | |
| Assistant editor | Ascanius Böttger
additional editor E02 & E04 | additional editor E02 & E04 |
| Assistant editor | Timothy Ware | |
| Assistant editor | Zoe Dahmen | |
| Assistant editor | Matthias Albrecht | |
| Drone pilot | Florian Felix Reeh
Luftaufnahmen // [FlyHigh] | Luftaufnahmen // [FlyHigh] |
| Gaffer | Florian Geiss
Nachdreh Berlin | Nachdreh Berlin |
| Key makeup artist/hair stylist | Nica Faas | |
| Fx makeup artist | Anna Kießer | |
| Composer | Uwe Bossenz | |
| Composer | Anton Feist | |
| Music supervisor | Milena Fessmann | |
| Producer | Andreas Banz | |
| Producer | Annie Schilling | |
| Production designer | Myrna Wolff | |
| Set decorator | Ole Kloss
Set Dec & Props Supervisor | Set Dec & Props Supervisor |
| Concept artist | Jan Schneider [2] | |
| Prop master | Mathias Hohm
technical props | technical props |
| Draughtsman/set designer | Fabian Reber
Set Design, 3D Visuals, Construction drawing | Set Design, 3D Visuals, Construction drawing |
| Draughtsman/set designer | Frank Herzog
Set Design, 3D Visualisation, Construction Drawings | Set Design, 3D Visualisation, Construction Drawings |
| Graphic artist | Stefan Hollekamp
Computer Programmierung/Design background graphics art movies | Computer Programmierung/Design background graphics art movies |
| Graphic artist | David Löwe | |
| Line producer | Stephan Barth
Budapest / Berlin /Spain | Budapest / Berlin /Spain |
| Showrunner | Robert Thalheim | |
| Showrunner | Oliver Ziegenbalg | |
| Screenwriter | Oliver Ziegenbalg | |
| Co-writer | Robert Thalheim | |
| Audio describer | Detlef Tomschke | |
| Archive producer | Monika Preischl | |
| Archive research | Mona El-Bira | |
| Sound designer | Charlotte Lewis
Spot FX | Spot FX |
| Sound editor | Immo Trümpelmann
Dialogedit, ADR Supervising, ADR Schnitt (team with Lajos Wienkamp-Marques) | Dialogedit, ADR Supervising, ADR Schnitt (team with Lajos Wienkamp-Marques) |
