| Vfx supervisor | Mark Wierzimok | |
| Colorist | Lukas Häusler | |
| Director of photography | Ian Siepmann Baum | |
| 1st assistant camera | David Füsgen | |
| 2nd assistant camera | Valentin Bullmann | |
| Still photographer | Maximilian Schulz | |
| Key costumer | Natalia Nordheimer | |
| Key costumer | Stina Nies | |
| Director | Michael Knöfler | |
| Rigging grip | Conrad Halle | |
| Gaffer | Julius Wieler | |
| Gaffer | Benjamin Weu | |
| Best boy electric | Moritz Weber [1] | |
| Lighting technician / electrician | Noah Nottebom | |
| Key makeup artist | Moana Bonk | |
| Makeup artist | Laila Ouhbi | |
| Executive producer | Ian Siepmann Baum | |
| Executive producer | Matthew Wood | |
| Producer | Tassilo Lantermann | |
| Producer | Julius Wieler | |
| Art department coordinator | Tassilo Lantermann | |
| Practical electrician | Bernhard Wohlmacher | |
| Set builder | Maria Eberhardt | |
| Set builder | Tabea Weberskirch | |
| Set builder | Zenon Kristen | |
| Stand by set builder | Lennart Braun | |
| Set manager/ floor manager | Jascha Loos | |
| Production sound mixer | Lennard Schubert | |
| Sound re-recording mixer | Fabian Horn | |
