| Production accountant | Ilonka Szokola | |
| Post production supervisor | Celine Eyrond
CinePostproduction GmbH | CinePostproduction GmbH |
| Colorist | Aljoscha Hoffmann | |
| Director of photography | Rafael Starman
Winner of the Heiner Carow Award (Berlinale), nominated for the German Camera Award | Winner of the Heiner Carow Award (Berlinale), nominated for the German Camera Award |
| 1st assistant camera | Tristan Hurlbrink-Eisenbraun
Alexa Mini, Cinevision Anamorphic Lenses | Alexa Mini, Cinevision Anamorphic Lenses |
| 2nd assistant camera | Nico Flach
Alexa Mini, Ronin 2 | Alexa Mini, Ronin 2 |
| DIT digital imaging technician | Deborah Bode | |
| Casting director | Konstantin Achmed Bürger | |
| Costume designer | Lara Scherpinski | |
| Costume designer | Veronika Albert
2 Wochen Vorbereitungszeit | 2 Wochen Vorbereitungszeit |
| Costumer / wardrobe | Paul Putzier | |
| Director | Constantin Hatz | |
| 1st AD (local system) | Leo Manow | |
| 1st AD (local system) | Lukas Rieckmann | |
| Editor | Marco Rottig | |
| Assistant editor | Vreni Sarnes | |
| Key grip | Christopher Saß | |
| Grip | Valentin Sapel | |
| Gaffer | Adriano Grilli | |
| Best boy electric | Stefan Diercks | |
| Lighting technician / electrician | Lasse Kudlek
11 Days | 11 Days |
| Lighting technician / electrician | Jonas Reddersen | |
| Key makeup artist/hair stylist | Faye Ryan | |
| Fx makeup artist | Faye Ryan
Chefmaskenbildnerin | Chefmaskenbildnerin |
| Producer | Matthias Greving | |
| Executive producer | Kirsten Lukaczik | |
| Creative producer | Janina Sara Hennemann | |
| Production designer | Stefan Oppenländer | |
| Assistant production designer | Marie Becher | |
| Standby props | Gregory Refeld
Prod. Des. Stefan Oppenländer | Prod. Des. Stefan Oppenländer |
| Set dresser | Elard Lukaczik | |
| Location scout | Martina Bismark
über MotivBuero | über MotivBuero |
| Location scout | Andrea Giesel | |
| Set builder | Harald Prien | |
| Property driver | Simon Schönefeld | |
| Line producer | Florian-Malte Fimpel | |
| Production coordinator | Pia Guckert | |
| Production coordinator | Lilly Hartmann | |
| Unit manager (local system) | Andreas Matt [1] | |
| Unit manager (local system) | Michael von Wolfframsdorff
2 weeks preparation September20 | 2 weeks preparation September20 |
| Unit manager (local system) | Ingo Stroot
Shooting postponed to autumn 2020 | Shooting postponed to autumn 2020 |
| Location manager (local system) | Juan García
and Location Scouting / Hamburg/SWH | and Location Scouting / Hamburg/SWH |
| Location manager (local system) | Rym Nouioua | |
| Set manager/ floor manager | Vanja Windelband | |
| Set manager/ floor manager | Jakob Reuss
ab dem 28.10.20 bis Drehende | ab dem 28.10.20 bis Drehende |
| Production assistant | Annika Lorey | |
| Production driver | Simon Kiefer [1] | |
| Set runner | Laura Peekel | |
| Screenwriter | Constantin Hatz | |
| Production sound mixer | Corinna Zink | |
| Production sound mixer | Claudia Mattai del Moro
preproduction and sound concept | preproduction and sound concept |
| Boom operator | Philipp Jahnke | |
| Foley recordist | Uwe Zillner | |
| Foley artist | Uwe Zillner | |
| Special effects supervisor | Hans Seck | |
| Special effects technician | Ralf Cordes
für Hans Seck | für Hans Seck |
| Stunt coordinator | Dori Horvath | |
| Stuntman/woman | Alexander Mack
Hooligan | Hooligan |
| Stuntman/woman | Felix Quinton
Stunt Double "Daniel" (Für Dori Horvath) | Stunt Double "Daniel" (Für Dori Horvath) |
| Stuntman/woman | Lucian Roucka | |
| Stuntman/woman | Mike Möller
Hooligan | Hooligan |
