Production accountant | Susanne Weißenbach | |
Post production supervisor | Elke Andreas-Möller | |
Screen designer | Armando Zeitz Computer-/ Videoeinspielungen | Computer-/ Videoeinspielungen |
Director of photography | Hanno Lentz | |
Clapper/loader | Hendrik Jansen | |
Video assist/playback operator | Maximilian Buck | |
Still photographer | Erika Hauri | |
Costume designer | Gabriele Binder | |
Assistant costume designer | Claudia Maria Braun | |
Costume design trainee | Christina Isabell Molitor | |
Director | Sherry Hormann | |
1st AD (local system) | Benedict Hoermann | |
Crowd 2nd AD (local system) | Hajo Kensche | |
Script continuity | My-Chi Phu Tho | |
Assistant editor | Marcus Schmidt | |
Grip | Alexander Resch [1] 2te Bühne | 2te Bühne |
Gaffer | Michael Beitz | |
Best boy electric | Kai Möller | |
Lighting technician / electrician | Heiko Grund | |
Makeup artist / hair stylist | Michele Thevenet | |
Makeup artist / hair stylist | Maxie Piper | |
Makeup trainee | Jenny Retzlaff | |
Composer | Stefan Hansen | |
Production designer | Renate Schmaderer | |
Assistant production designer | Maximilian Lichtner | |
Prop master | Kurt Herzog | |
Standby props | Babett Pönisch | |
Location scout | Caroline Theyson / Sb: R. Schmaderer | / Sb: R. Schmaderer |
Art department trainee | Michaela Federer | |
Assistant to line producer | Anca Mehlis | |
Production manager | Chris Evert | |
Production coordinator | Anissa Mehnert München | München |
Unit manager (local system) | Christopher Doll | |
Set manager/ floor manager | Stefan Bock | |
Production assistant | Lothar Hellinger | |
Production driver | Lars Kubowitsch | |
Production driver | Tina Sonanini | |
Production driver | Andreas Friz Zusatz/ Aushilfe | Zusatz/ Aushilfe |
PA intern | Denver Basien Set AL Praktikum | Set AL Praktikum |
Screenwriter | Kathrin Richter | |
Screenwriter | Dr. Gabriela Sperl | |
Boom operator | Alexander Schimkus | |
Sound designer | Miles Kann | |
Foley artist | Peter Deininger | |
Commissioning editor | Dr. Stephanie Heckner | |
Commissioning editor | Bettina Reitz | |