Colorist | Markus Wawra | |
Director of photography | Niklas J. Hoffmann | |
Director of photography | Markus Rößler Für den Nachdreh einer Szene | Für den Nachdreh einer Szene |
1st assistant camera | Martin Mikußies | |
2nd assistant camera | Torsten Seidler Arri Alexa | Arri Alexa |
Still photographer | Andreas Wünschirs | |
Costume designer | Romy Pittelkau | |
Costume designer | Nadine Kremeier | |
Costumer / wardrobe | Eva Brox | |
Director | Marco Gadge | |
1st AD (local system) | Tino Kurze & Aufnahmeleitung | & Aufnahmeleitung |
Script continuity | Mathilde Scholz | |
Editor | René Jacob | |
Key grip | Christopher Huck Key-Grip | Key-Grip |
Crane operator | Sebastian Krückl {gf9,varizoom} | {gf9,varizoom} |
Gaffer | Christoph Poppke | |
Additional electrician | Maik Uhlig | |
Makeup artist / hair stylist | Chris Rossa | |
Producer | Marco Gadge | |
Producer | Mike Brandin | |
Producer | Francis Fulton-Smith Little Door Films | Little Door Films |
Delegate producer | Francis Fulton-Smith | |
Delegate producer | Mike Brandin | |
Production designer | Maria Nickol hist. Berlin, 1945 | hist. Berlin, 1945 |
Assistant production designer | Ronny Wache | |
Production assistant | Richard Bößert | |
Set runner | Rico Molaro | |
Screenwriter | Marco Gadge | |
Screenwriter | René Jacob | |
Subtitle translation | Karin Thorne Deutsch-Englisch-Französisch | Deutsch-Englisch-Französisch |
Special effects supervisor | Stephan von Tresckow | |
Consultant | Marcus Goldhahn Verträge Crew, Cast, Motive | Verträge Crew, Cast, Motive |