| Colorist | Markus Wawra | |
| Director of photography | Niklas J. Hoffmann | |
| Director of photography | Markus Rößler
Für den Nachdreh einer Szene | Für den Nachdreh einer Szene |
| 1st assistant camera | Martin Mikußies | |
| 2nd assistant camera | Torsten Seidler
Arri Alexa | Arri Alexa |
| Still photographer | Andreas Wünschirs | |
| Costume designer | Romy Pittelkau | |
| Costume designer | Nadine Kremeier | |
| Costumer / wardrobe | Eva Brox | |
| Director | Marco Gadge | |
| 1st AD (local system) | Tino Kurze
& Aufnahmeleitung | & Aufnahmeleitung |
| Script continuity | Mathilde Scholz | |
| Editor | René Jacob | |
| Key grip | Christopher Huck
Key-Grip | Key-Grip |
| Crane operator | Sebastian Krückl
{gf9,varizoom} | {gf9,varizoom} |
| Gaffer | Christoph Poppke | |
| Additional electrician | Maik Uhlig | |
| Makeup artist / hair stylist | Chris Rossa | |
| Producer | Marco Gadge | |
| Producer | Mike Brandin | |
| Producer | Francis Fulton-Smith
Little Door Films | Little Door Films |
| Delegate producer | Francis Fulton-Smith | |
| Delegate producer | Mike Brandin | |
| Production designer | Maria Nickol
hist. Berlin, 1945 | hist. Berlin, 1945 |
| Assistant production designer | Ronny Wache | |
| Production assistant | Richard Bößert | |
| Set runner | Rico Molaro | |
| Screenwriter | Marco Gadge | |
| Screenwriter | René Jacob | |
| Subtitle translation | Karin Thorne
Deutsch-Englisch-Französisch | Deutsch-Englisch-Französisch |
| Special effects supervisor | Stephan von Tresckow | |
| Consultant | Marcus Goldhahn
Verträge Crew, Cast, Motive | Verträge Crew, Cast, Motive |
