| Director of photography | Georg Geutebrueck
Max Ophüls Preis | Max Ophüls Preis |
| 1st assistant camera | Christian Flatzek | |
| 2nd assistant camera | Paul Sprinz | |
| DIT digital imaging technician | Laszlo Vancsa | |
| Data wrangler / digital loader | Paul Sprinz | |
| Still photographer | Maor Waisburd | |
| Extras/bit player casting | Annika Birgel | |
| Director | Christoph Rainer | |
| 1st AD (local system) | Sandra Wollner | |
| Crowd 2nd AD (local system) | Jasper Beutin | |
| Script continuity | Rosanna Rau | |
| Key grip | Emmanuel Aubry | |
| Gaffer | Manuel Nevosad | |
| Best boy electric | Thomas Frömel | |
| Lighting technician / electrician | Christopher Macher | |
| Additional electrician | Timm Kröger | |
| Additional electrician | Rafael Starman | |
| Lighting assistant | Esther Schmid | |
| Composer | Andreas Pfeiffer
zusätzliche Musik | zusätzliche Musik |
| Producer | Mark Szilagy | |
| Delegate producer | Nikolai Gemel | |
| Co-producer | Elsa Kremser | |
| Production designer | Claudia Frank [1] | |
| Assistant production designer | Ann-Kathrin Geiger | |
| Assistant production designer | Thassilo Vahlenkamp | |
| Standby props | Basilis Neururer | |
| Production manager | Veith Unger | |
| Assistant production manager | Thassilo Vahlenkamp | |
| Screenwriter | Christoph Rainer | |
| Production sound mixer | Aljoscha Haupt | |
| Boom operator | Simon Peter | |
| Sound re-recording mixer | Simon Peter | |
| Sound designer | Simon Peter | |
| Foley artist | Frank Schubert [1] | |
| Stunt coordinator | Simon Grzesczak | |
