Production accountant | Birgit Döhring | |
VFX production coordinator | Phillipp Sauermann Black Sail Pictures GmbH | Black Sail Pictures GmbH |
Colorist | Philipp Horsch | |
Director of photography | Peter Steuger *historical-1973 | *historical-1973 |
2nd unit dop | Daniel Horn | |
Camera operator | Daniel Horn b-kamera 15 dt und 2nd Unit dp | b-kamera 15 dt und 2nd Unit dp |
1st assistant camera | Michael Siebert | |
1st assistant camera | Manuel Steer B Kamera | B Kamera |
2nd assistant camera | Milan Bardo Bergheim | |
Data wrangler / digital loader | Peer Heinzel | |
Video assist/playback operator | Jens Jung [1] | |
Casting director | Ursula Danger | |
Costume designer | Ute Grenz historisch, 1978 | historisch, 1978 |
Assistant costume designer | Diana Güven | |
Costumer / wardrobe | Susanne Vierkötter | |
Costume interpreter | Lars König Atelierleiter Theaterkunst | Atelierleiter Theaterkunst |
Director | Christoph Röhl | |
1st AD (local system) | Torsten Junker | |
Crowd 2nd AD (local system) | Dennis Eichhof sub last 2 weeks | sub last 2 weeks |
Script continuity | Jeanette Diszler Odenwald | Odenwald |
Actor coach (children) | Brigitte Simons | |
Editor | Vessela Martschewski | |
Editor | Bernd Schriever | |
Assistant editor | Tobias Marschall | |
Key grip | Daniel Horn | |
Grip | Jerome Lauer Dolly Grip | Dolly Grip |
Gaffer | Klaus Bieling | |
Best boy electric | Ralf Prokopp | |
Lighting technician / electrician | Michael Rieck | |
Makeup artist / hair stylist | Maike Heinlein historisch 70er + SFX | historisch 70er + SFX |
Makeup artist / hair stylist | Katrin Schneider Historisch 1978 | Historisch 1978 |
Makeup artist / hair stylist | Margarita Rasbasch 3.Maske,hist.70er | 3.Maske,hist.70er |
Additional make up artist | Stefanie Lange 70er | 70er |
Additional make up artist | Heidi Debbah ,Haupt-Zusatzmaske | ,Haupt-Zusatzmaske |
Composer | Ali N. Askin | |
Producer | Hans-Hinrich Koch | |
Assistant to producer | Anna Neudert | |
Production designer | Erwin W. Prib | |
Assistant production designer | Natalie Wild | |
Art director | Steffen Geitner | |
Set decorator | Sabin Enste historisch, 70/80er | historisch, 70/80er |
Art department assistant | Nadja Götze | |
Prop master | Sabin Enste | |
Standby props | Kay Schilling | |
Location scout | Johannes Eppinger Odenwald / Hessen | Odenwald / Hessen |
Location scout | Yvonne Wassong | |
Scenic painter | Eva-Maria Müller | |
Graphic artist | Sabine Steinhof | |
Property driver | Timo Nonnenbroich | |
Property driver | Peter Baro | |
Line producer | Thomas Bretschneider | |
Assistant to line producer | Andreas Messerschmidt | |
Production manager | Ingo Preuß | |
Assistant production manager | Martina Christian Odenwald | Odenwald |
Unit manager (local system) | Tarik Erpinar Regie Christoph Röhl | Regie Christoph Röhl |
Location manager (local system) | Manuel Stülten Hessen | Hessen |
Set manager/ floor manager | Arne Regul Odenwald | Odenwald |
Assistant set/floor manager | Florian Kemnitz | |
Production driver | Matthias Preiß | |
Production driver | Tillmann Haring | |
Set runner | Tobias Haag | |
Set runner | Lisa van Brakel Produktionspraktikantin | Produktionspraktikantin |
Screenwriter | Benedikt Röskau | |
Screenwriter | Sylvia Leuker | |
Production sound mixer | Manfred Banach | |
Boom operator | Dirk-Teo Schäfer | |
Sound re-recording mixer | Hubertus Rath | |
Sound designer | Christoph von Schönburg | |
Supervising sound editor | Christoph von Schönburg | |
Adr recordist | Ben Bartosz Raduj | |
Dialogue editor | Eva Claudius | |
Stunt coordinator | Jürgen Klein | |
Stuntman/woman | Marcel Stefanski | |
Commissioning editor | Roman Klink | |
Commissioning editor | Dr. Götz Vogt | |
Animal trainer | Petra Geier Golden Retriever und Spinne | Golden Retriever und Spinne |
Child supervisor | Stephanie Höll | |