Director | Christian Theede |
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Written by | Klaus Rohne, Sarah Augstein |
Production | Phoenix Film Karlheinz Brunnemann GmbH & Co. Produktions KG [de], UFA Fiction |
Start of shooting | 28/06/2011 |
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End of shooting | 27/07/2011 |
Locations | Berlin |
Filming regions | East Germany |
Actor | Role name | Voice actor / SpeakerVoice actor |
---|---|---|
Oliver Mommsen | Peter Sommer [L] | |
Jasmin Gerat | Lisa Neumann [L] | |
Max Boekhoff | Jan Sommer [L] | |
Hund Johnny [L] | Michael Kessler | |
Anja Nejarri | Julia Stern [SR] | |
Roman Kni˛ka | Alexander [SR] | |
Greta Galisch de Palma | Fluglotsin [SR] | |
Mathias Schlung | Oliver Fasolt [SR] | |
Stella Lindler | NR [SR] | |
Hansjürgen Hürrig | Herr Neumann |
Activity | Name | Comment |
---|---|---|
Production accountant | Carolin Riedel | |
3d animation director | Pedram Taghdisi | |
Vfx producer | Franziska Zernack exozet effects, VFX Coordinator | exozet effects, VFX Coordinator |
Vfx supervisor | Falk Gärtner | |
VFX production coordinator | Anna-Maria Hora | |
Digital compositor / compositing artist | Matthias Wäsch exozet effects | exozet effects |
Character supervisor | Jan Hektor | |
Colorist | Roland Murrer Daylies | Daylies |
Digital matchmover | Milad Mesof 3D tracking | 3D tracking |
Director of photography | Felix Cramer | |
Steadicam operator | Matthias Biber | |
1st assistant camera | Uli Krause | |
Data wrangler / digital loader | Ramon Rilke | |
Still photographer | Hardy Spitz | |
Costume designer | Frank Bohn | |
Costumer / wardrobe | Andrea Baran | |
Costumer / wardrobe | Tamara Schüller | |
Director | Christian Theede | |
1st AD (local system) | Lars Bretschneider | |
Script supervisor | Nicole Birkholz | |
Editor | Achim Seidel | |
Assistant editor | Christian Reinhardt | |
Key grip | Max Mönig | |
Grip | Andreas Fischer | |
Gaffer | Ralph von Zündt Kameramann: Felix Cramer | Kameramann: Felix Cramer |
Lighting technician / electrician | Bastian Huber | |
Lighting assistant | Andreas Fischer | |
Lighting assistant | Oliver Schill B-Cam Focus | B-Cam Focus |
Makeup artist / hair stylist | Julia Serowski | |
Makeup artist / hair stylist | Katrin Sondermann | |
Composer | Andy Groll | |
Producer | Markus Brunnemann | |
Producer | Markus Grobecker | |
Assistant to producer | Rodica Pietsch | |
Production designer | Axel Nocker | |
Prop master | Tina Reichelt | |
Standby props | Silvie Sachseneder | |
Location scout | Nils Herkendell | |
Food stylist | Burkhard Borke Nutsch | |
Property driver | Michael Freese | |
Art department trainee | Judith Carnaby | |
Line producer | Christian Dreßler | |
Production manager | Stefan Hiller | |
Assistant production manager | Silke Sander | |
Unit manager (local system) | Daniel Schwarz | |
Set manager/ floor manager | Sean Scraton 4 Tagen | 4 Tagen |
Set manager/ floor manager | Ron Schuster | |
Screenwriter | Klaus Rohne | |
Screenwriter | Sarah Augstein | |
Production sound mixer | Michael Junge-Buchholz | |
Boom operator | Harald Kerl | |
Animal trainer | Nicolle Müller Schwein Paula, Hund Jonny u.a. | Schwein Paula, Hund Jonny u.a. |
Company | Comment |
---|---|
Phoenix Film Karlheinz Brunnemann GmbH & Co. Produktions KG [de] | |
UFA Fiction als Phoenix Film | als Phoenix Film |
Department | Company | Comment |
---|---|---|
Extras/Bit Player | agentur wanted | |
Lighting and Utilities | ARRI Rental Deutschland GmbH | |
Lighting and Utilities | Media Services GmbH - Pharos The Post Group als ARRI Schwarzfilm Berlin GmbH | als ARRI Schwarzfilm Berlin GmbH |
Production Services | Cinecat Filmcatering Catering | Catering |
Production Services | hiasberlin Maskenmobil | Maskenmobil |
Costumes | PATIN-A SHOP GmbH Kostümequipment | Kostümequipment |
Costumes | Theaterkunst GmbH Kostümausstattung KB: Frank Bohn | KB: Frank Bohn |
Props | Hahn-Grafix Graphic Artist | Graphic Artist |
Vehicles and aircrafts | movie vehicles Sven Fielitz | |
Image (VFX) | Exozet Potsdam GmbH | |
Image/Editing | CINE PLUS |
Type | Country | Station | Date / Time | Comment |
---|---|---|---|---|
First showing | Germany | SAT.1 | Tuesday, 13/03/2012 |