| Production accountant | Marion Manthey | |
| Post production supervisor | Ulrike Freyer | |
| Director of photography | Wolfgang Aichholzer | |
| 1st assistant camera | David Hofmann | |
| Clapper/loader | Jakob Ebert
16mm | 16mm |
| Video assist/playback operator | Patryk Witt | |
| Video assist/playback operator | Peter Sebera | |
| Casting director | Uwe Bünker | |
| Costume designer | Angelika Huhn | |
| Assistant costume designer | Funda Dag-Hoffmann | |
| Director | Sibylle Tafel | |
| 2nd unit director | Frank Gotthardy | |
| 1st AD (local system) | Frank Gotthardy | |
| Actor coach | Heike Hanold-Lynch | |
| Assistant editor | Petra Kader-Göbel | |
| Key grip | Elmar Suska
Key Grip | Key Grip |
| Gaffer | Justus Hasenzahl Tavares | |
| Best boy electric | Jörn Christian Novotny | |
| Lighting trainee | Jonas Hörning | |
| Key makeup artist/hair stylist | Sonali Chatterjee | |
| Producer | Klaus André | |
| Production designer | Myriande Heller | |
| Prop master | Klaus Spielhagen | |
| Assistant stand by props | Uli Passauer | |
| Line producer | Sabine Schild | |
| Production manager | Sabina Belcher | |
| Assistant production manager | Katrin Hofmann
Produktionsassistenz | Produktionsassistenz |
| Production assistant | Kristina Habel | |
| Production driver | Silke Werner | |
| Production driver | Mathias Langwich | |
| Screenwriter | Eva von Schirach | |
| Production sound mixer | Olaf Griepenkerl | |
| Sound designer | Miles Kann | |
| Dialogue coach | Heike Hanold-Lynch | |
