| Director of photography | Philipp Haberlandt | |
| 1st assistant camera | Robert Nickolaus
Super 16mm | Super 16mm |
| 2nd assistant camera | Daniel Landau | |
| Costume designer | Marion Boegel | |
| Assistant costume designer | Elisabeth Burgmer | |
| Director | John Kolya Reichart | |
| 1st AD (local system) | Matthias Günter | |
| Crowd 2nd AD (local system) | Michaela 'Ela' Kluge | |
| Script continuity | Nicole Sahsnowsky | |
| Editor | Kaya Inan | |
| Key grip | Aleks Sandrine Neumüller | |
| Key grip | Marius Möller | |
| Gaffer | Verena Schulte | |
| Lighting technician / electrician | Peter Wedig | |
| Lighting technician / electrician | Sebastian Weber [2] | |
| Lighting technician / electrician | Danielle Krudy | |
| Makeup artist / hair stylist | Silke Weiß | |
| Additional make up artist | Félcité Ruiz Vera | |
| Producer | Tim Krüger | |
| Production designer | Nicolle Karl | |
| Standby props | Diana Becker | |
| Production manager | Heike Frielingsdorf | |
| Set manager/ floor manager | Jan Bierwirth | |
| Set manager/ floor manager | Rafael Broll | |
| Set manager/ floor manager | Dirk Meffert | |
| Assistant set/floor manager | Mathias Dietz | |
| Assistant set/floor manager | Kaja Eggenschwiler | |
| Production sound mixer | Oliver Skrotzki | |
| Boom operator | Stefan Kaufhold
4.6. bis 6.6. | 4.6. bis 6.6. |
