| Production accountant | Patrick Alan Banfield | |
| Production accountant | Nicolas C. Geissler | |
| Director of photography | Nicolas C. Geissler | |
| 1st assistant camera | Christian Hüning
Varicam | Varicam |
| 2nd assistant camera | Valentino Herth
HDCAM | HDCAM |
| Still photographer | Philipp Engelhardt | |
| Costume designer | Krisha Lindner
Historisch 1941 | Historisch 1941 |
| Director | Patrick Alan Banfield
Historisch (1941), Varicam, eigenfinanzi | Historisch (1941), Varicam, eigenfinanzi |
| 1st AD (local system) | Carolin Kraft | |
| Script continuity | Anne Kodura | |
| Trainee director's department | Jennifer Grau | |
| Key grip | Guido Theis | |
| Grip | Peter Mathis | |
| Gaffer | Tim Bantien
Historisch 1941 | Historisch 1941 |
| Lighting technician / electrician | Marco Fischer
Best Boy | Best Boy |
| Lighting technician / electrician | Arvind Amruth | |
| Lighting trainee | Martin Czernik | |
| Makeup artist / hair stylist | Franzisca Brunner
Historisch 40 er Jahre | Historisch 40 er Jahre |
| Set decorator | Slawomir Zajac
Historisch 1941 | Historisch 1941 |
| Art department assistant | Fabian Metzger | |
| Art department assistant | Stefan Neubig | |
| Production manager | Nicolas C. Geissler | |
| Production manager | Patrick Alan Banfield | |
| Unit manager (local system) | Wolfgang Klose | |
| Set manager/ floor manager | Sven Hellberg | |
| Assistant set/floor manager | Stefan Karlegger
Historisch (1941) | Historisch (1941) |
| PA intern | Louisa Homrighausen | |
| Screenwriter | Patrick Alan Banfield | |
| Co-writer | Nicolas C. Geissler | |
| Production sound mixer | Boris Pawlikowski | |
| Special effects technician | Daniel Helbig | |
| Caterer (assistance on set) | Karl Sälzler | |
| Caterer (assistance on set) | Annika Geissler | |
| Caterer (assistance on set) | Miriam Gromer | |
| Caterer (assistance on set) | Mechthilde Sälzler | |
| Caterer (assistance on set) | Andrea Geissler | |
