| Production accountant | Carmen Looker | |
| Post production supervisor | Michaela Krauß | |
| Director of photography | Holger Greiss | |
| 1st assistant camera | Florian Godenschweger | |
| 2nd assistant camera | Kevin Bose | |
| Data wrangler / digital loader | Jurij Tschabanow
teils B-Fokus | teils B-Fokus |
| Casting director | Phillis Dayanir | |
| Costume designer | Verena Sapper | |
| Assistant costume designer | Stefanie Lohne | |
| Wardrobe | Anna Oberauer | |
| Director | Stefan Bartmann | |
| 1st AD (local system) | Gero von Wedel | |
| Script continuity | Garikoitz John | |
| Editor | Biljana Grafwallner-Brezovska | |
| Key grip | Sven Brinkmann | |
| Gaffer | Wolfgang Erdmann | |
| Lighting technician / electrician | Tim Deane | |
| Lighting technician / electrician | Dirk Lehmann | |
| Lighting assistant | Jeremias Smeaton | |
| Makeup artist / hair stylist | Jens Holstein | |
| Makeup artist / hair stylist | Miriam Kluge | |
| Composer | Andreas Weidinger | |
| Producer | Vanessa Lackschéwitz | |
| Executive producer | Michael Smeaton | |
| Producer | Elvira Bolz | |
| Assistant-/ junior-producer | Annalena Frieling | |
| Assistant to producer | Guido Walbeck | |
| Production designer | Katie Lee | |
| Line producer | Beate Balser | |
| Assistant to line producer | Danielle Dilba | |
| Production coordinator | Alexandra Sprogies | |
| Unit manager | Gundula Dietrich | |
| Set manager/ floor manager | Behrus Yazdanfar | |
| Screenwriter | Martin Wilke | |
| Screenwriter | Jochen S. Franken | |
| Literary source | Rosamunde Pilcher
Short Story 'A Saturday Afternoon' | Short Story 'A Saturday Afternoon' |
| Production sound mixer | Uwe Schiefer | |
| Boom operator | Calvin Holm | |
| Foley recordist | Pit Kuhlmann | |
| Commissioning editor | Andrea Klingenschmitt | |
