| Production accountant | Patrizia Mincione Scharrnbeck | |
| Assistant production accountant | Francesco Mincione Scharrnbeck | |
| Post production supervisor | Nicolas Rösener | |
| Post production coordinator | Dimitrios Posukidis
Inhouse Producer, Sound Post Production (Studio Funk) | Inhouse Producer, Sound Post Production (Studio Funk) |
| Vfx supervisor | Marwin Wanek | |
| Vfx supervisor | Marco Del Bianco | |
| Digital compositor / compositing artist | Jan Koch [2] | |
| Digital compositor / compositing artist | Mauro Boes | |
| Digital compositor / compositing artist | Jan Wehrmann | |
| Director of photography | Peter Drittenpreis | |
| Drone camera operator | Bernd Hermes | |
| 1st assistant camera | Chadi-Jan Kobeissi | |
| 1st assistant camera | Jan Philipp Grelich
8 Drehtage | 8 Drehtage |
| 1st assistant camera | Shoichi Sano | |
| 2nd assistant camera | Pia Klein | |
| Casting director | Marion Haack | |
| Costume designer | Katrin Aschendorf | |
| Assistant costume designer | Lara Zirfaß | |
| Costumer / wardrobe | Hanna Pulkkinen | |
| Costumer / wardrobe | Olga Delgado-Lopez | |
| Director | Nathan Nill | |
| 1st AD (local system) | Sandra Delatron
reshoot | reshoot |
| 1st AD (local system) | Malte Grosche | |
| Crowd 2nd AD (local system) | Magdalena Schippmann | |
| 3rd AD crowd (local system) | Nils Becker [1] | |
| Script continuity | Christine Lohmann | |
| Editor | Lars Jordan | |
| Assistant editor | Graham Whitehead | |
| Key grip | Christopher Saß | |
| Grip | Philipp Jahnke | |
| Gaffer | Adriano Grilli | |
| Best boy electric | Christian Nauen
letzte Drehwoche | letzte Drehwoche |
| Best boy electric | Stefan Diercks | |
| Lighting technician / electrician | Florian Hoff | |
| Lighting technician / electrician | Niko Mölter
ab 3. Woche | ab 3. Woche |
| Lighting technician / electrician | Magnus Unverricht
1 week | 1 week |
| Additional electrician | Jan-Ole Harmening | |
| Additional electrician | Thorben Olbertz | |
| Additional electrician | Jan Patrick Heinicke | |
| Additional electrician | Hendrik Römer | |
| Lighting assistant | Jonas Reddersen | |
| Lighting assistant | Brandon Moldenhauer | |
| Lighting assistant | Christoph Cassel | |
| Makeup artist / hair stylist | Jessica Mathies | |
| Makeup artist / hair stylist | Katrin Loeffler | |
| Additional make up artist | Thora Geißler | |
| Additional make up artist | Anna Pokrywiec
Für ein paar Tage | Für ein paar Tage |
| Additional make up artist | Eirini Chatzoglou | |
| Producer | Nicolas Rösener | |
| Producer | Andreas Banz | |
| Production designer | Olga Gredig | |
| Prop master | Violetta Willie Hamburg | |
| Assistant stand by props | Besfort Neziraj | |
| Location scout | Andrea Giesel | |
| Location scout | Carsten Aschmann | |
| Location scout | Maria Hoffmann
Hannover | Hannover |
| Property driver | Philip Michalski | |
| Production manager | Jan Philip Lange | |
| Assistant production manager | Nora Lemke | |
| Unit manager (local system) | Tatjana Godovits
Vertretung PL für Nachdreh (3 DT Inch. Vorbereitung) | Vertretung PL für Nachdreh (3 DT Inch. Vorbereitung) |
| Location manager (local system) | Andrea Giesel | |
| Set manager/ floor manager | Juan García | |
| Personal driver | Samira Körner
2 Drehtage | 2 Drehtage |
| Set runner | Tobias Königsbüscher | |
| Set runner | Valentin Sapel | |
| Head writer | Daniel Scheier | |
| Screenwriter | Thomas Mielmann | |
| Screenwriter | Anika Soisson | |
| Screenwriter | Bastian Köpf | |
| Production sound mixer | Corinna Zink | |
| Boom operator | Nils Becker [1]
Reshoot | Reshoot |
| Sound re-recording mixer | Ralph Thiekötter | |
| Sound designer | Thekla Demelius | |
| Dialogue editor | Rolf Manzei | |
| Stunt driver | Thomas Bloem
Stunt Unit | Stunt Unit |
| Animal trainer | Tony Kliebisch | |
| Caterer (cook on set) | Michael Wittler | |
