| Production accountant | Florian Wahl | |
| Director of photography | Dietmar Koelzer | |
| 1st assistant camera | Christian Leppin | |
| 2nd assistant camera | Alda Maria Rühl | S16, auch B-Kamera Focus |
| Still photographer | Sandra Hoever | |
| Costume designer | Astrid Möldner | |
| Assistant costume designer | Svenja Berges | |
| Director | Robert Sigl | Willkommen in der Hölle |
| Director | Peter Fratzscher | |
| Director | Peter Fratzscher | |
| 1st AD (local system) | Oliver Knorr | |
| Trainee director's department | Martin Winkelmann | Continuitypraktikant, Vertretung |
| Editor | Ann-Sophie Schweizer | Folge: Gnadenlos |
| Assistant editor | Sebastian Lipp | |
| Key grip | Joachim Krugmann | |
| Grip | Mariusz Arbeiter | Beleuchter |
| Crane operator | Matthias Gelhausen | crane-operator |
| Gaffer | Martin Fischer | |
| Best boy | Steffen Birker | |
| Lighting assistant | Miklos Endres | |
| Producer | Eckhard Düsberg | |
| Production designer | Sonja Strömer | Hamburg |
| Prop master | Anna Stuckmann | |
| Standby props | Rudolf Kötter | |
| Assistant stand by props | Mareike Florczik | Folge 27-29 |
| Food stylist | Martina Franziska Goß | Italienisches Menü |
| Property driver | Tobias Wiehn | |
| Production manager | Uwe Wriedt | |
| Assistant production manager | Vivien Heinenberg | 6 Folgen à 60 min |
| Unit manager | Markus Kadl | 5 Folgen á 60' / Nov. 05 - Mär. 05 |
| Location manager | Tobias von Schönermark | |
| Production driver | Jörg Enoch | |
| Screenwriter | Johannes Dräxler | |
| Screenwriter | Remy Eyssen | |
| Screenwriter | Marie Reiners | |
| Production sound mixer | Christoph Köpf | Folgen 27, 28 |
| Production sound mixer | Tomas Kanok | |
| Sound re-recording mixer | Thilo Krüger | Krüger & Krüger Studios |
| Special effects supervisor | Norbert Skodock | |
| Stunt coordinator | René Lay | für Double Action Hamburg |
| Stunt coordinator | Ronnie Paul | |
| Stuntman/woman | Toni Varvasoudis | |
| Stuntman/woman | Ronnie Paul | 1 DT |
| Stuntman/woman | Uwe Manßhardt | |
| Commissioning editor | Annette Reisse | |
