| Accounting Dept. | production accountant | Michael Neiser | |
| Accounting Dept. | accountant | Daniela Seelos | |
| Camera Department | director of photography | Thomas Antoszczyk | |
| Camera Department | 1st assistant camera | Maximilian G. Engl | ALEXA; Cam A |
| Camera Department | 1st assistant camera | Bernhard Weise | Arri Alexa, Angéniuex 24-290mm |
| Camera Department | 2nd ac second assistant camera | Tim Ruppel | » 2 Cams: Alexa Plus |
| Camera Department | data wrangler / digital loader | Jochen Nünning | 24 DT, Alexa, Backup & Quality Check |
| Camera Department | still photographer | Bernd Schuller | in Vertretung |
| Casting | casting director | Iris Baumüller | 3. Staffel |
| Costume Department | costume designer | Andrea Spanier | |
| Costume Department | assistant costume designer | Manuela Bönecke | |
| Costume Department | costume design trainee | Meike Franziska Bernhardt | |
| Director's Department | director | Ulli Baumann | |
| Director's Department | 1st assistant director | Lars Parlaska | |
| Director's Department | script supervisor | Elisabeth Grawe | |
| Director's Department | trainee director's department | Fabienne Pflüger | |
| Editing | editor | Manuela Kempf | |
| Editing | editor | Stefen Schmitt | |
| Editing | assistant editor | Tanja Schott | |
| Editing | assistant editor | Anna Porth | |
| Editing | assistant editor | Tina Gosink | |
| Grip | key/dolly grip | Markus Thanner | |
| Grip | grip assistant | Tino Heidenreich | 2.Kamera Dollyfahrer |
| Lighting | gaffer | Markus Thiermeyer | |
| Lighting | electrician | Roland Raffelsberger | |
| Makeup Department | makeup artist / hair stylist | Ursel Frank | |
| Makeup Department | makeup artist / hair stylist | Scharka Cechova | |
| Producer | producer | Eva Stadler | |
| Producer | executive producer | Anke Greifeneder | |
| Producer | assistant to producer | Nicole Kerler | |
| Production Design | production designer | Mathias Heinze | 900 qm Studiobau |
| Production Design | production designer | Laurenz Brüning | |
| Production Design | art director | Debora Reischmann | Entwurfsplanung Studiobau |
| Production Design | prop master | Tobias Staudenmayer | |
| Production Design | standby props | Bettina Sailer | |
| Production Design | assistant to propmaster /- buyer | Margrit Meyndt | |
| Production Design | set builder | Michael Ott | |
| Production Design | property driver | Florian Maximilian Kammer | |
| Production Mgt. | line producer | Marlene Beran | seitens Turner Broadcasting |
| Production Mgt. | line producer | David Vogt | |
| Production Mgt. | film financing coordinator | Nina John | |
| Production Mgt. | production manager | Jörg Zaremba | |
| Production Mgt. | post production supervisor | Fabian Ascher | (Toccata Film) |
| Production Mgt. | post production supervisor | Christian Günther | |
| Production Mgt. | production coordinator | Marina Rembold | und 1. Aufnahmeleitung |
| Production Mgt. | assistant production manager | Sina Blaschek | |
| Production Mgt. | set manager / 3rd AD | Roman Günther | |
| Production Mgt. | set runner | Teresa Fey | |
| Screenplay | screenwriter | Sebastian Wehlings | |
| Screenplay | screenwriter | Christian Lyra | |
| Sound Department | production sound mixer | Thorsten Bolzé | |
| Sound Department | boom operator | Attila Makai | |
| Sound Post Production | sound designer | Jonathan Pauli | |
| Visual Effects | cg software developer | Damian Schmidt | Player |
| Visual Effects | digital film compositor | Tobias Kreißl | |
| Visual Effects | colorist | Jules Rückert | |
| Visual Effects | colorist | Marcel Tieste | Pregrading |
