| Production accountant | Carmen Looker
England | England |
| Assistant production accountant | Ulrike Zimmermann [2] | |
| Post production supervisor | Michaela Krauß | |
| Director of photography | James Jacobs | |
| 1st assistant camera | Kristian Gripenberg | |
| 2nd assistant camera | Leif Neumann | |
| Costume designer | Bettina Weiß | |
| Assistant costume designer | Petra Langer | |
| Costumer / wardrobe | Jessica Birker | |
| Director | Dieter Kehler | |
| 1st AD (local system) | Peer Menke | |
| Script continuity | Ilona Probst | |
| Editor | H. Britta Thomas | |
| Assistant editor | Ismet Gündüz | |
| Key grip | Daniel Alvermann | |
| Gaffer | Wolfgang Erdmann | |
| Lighting technician / electrician | Marcel Hein | |
| Lighting technician / electrician | Enver Fidan | |
| Lighting assistant | Max Smeaton | |
| Makeup artist / hair stylist | Fiona Clarke | |
| Makeup artist / hair stylist | Linda Mooney | |
| Producer | Michael Smeaton | |
| Producer | Heidi Ulmke | |
| Producer | Vanessa Lackschéwitz | |
| Production designer | Ed Turner | |
| Location scout | Roger Elliott | |
| Line producer | Elvira Bolz | |
| Line producer | Beate Balser | |
| Production coordinator | Veronika Kruse | |
| Unit manager (local system) | Sylvie Wichers | |
| Location manager (local system) | Roger Elliott | |
| Location manager (local system) | Sam Chesworth | |
| Set manager/ floor manager | Lutz Meier-Ewert | |
| Screenwriter | Martin Wilke | |
| Production sound mixer | Olav Gross | |
| Boom operator | Heiko Birkenstock | |
| Sound designer | Thorsten Minning | |
