| Post production coordinator | Jeannette Ziemeck | |
| 2d artist | Mirko Burchartz | |
| 2d artist | Nicolai Cronau | |
| Director of photography | Daniel Koppelkamm | |
| 2nd unit dop | Oliver Schafhausen | |
| 1st assistant camera | Christian Temme | |
| Costume designer | Bruni Hannemann | |
| Assistant costume designer | Klaus Pomorski | |
| Director | Bettina Woernle | |
| Script continuity | Iris Roth | |
| Editor | Birgit Gasser | |
| Assistant editor | Eva Hardebeck | |
| Gaffer | Oliver Schafhausen
2te Kamera | 2te Kamera |
| Lighting assistant | Luis Koppelkamm | |
| Makeup artist / hair stylist | Scharka Cechova | |
| Composer | Joachim Dürbeck | |
| Composer | René Dohmen | |
| Pro tools operator | Nadja Schulz | |
| Producer | Sam Davis | |
| Production designer | Benedikt Herforth | |
| Screenwriter | Bettina Woernle | |
| Script consultant | Annette Köster
Buchentwicklung Drehfassung | Buchentwicklung Drehfassung |
| Sound designer | Nadja Schulz | |
| Sound designer | Peter Lange [1] | |
| Sound editor | Peter Lange [1] | |
| Sound editor | Nadja Schulz
Sound Design (Vertonung) | Sound Design (Vertonung) |
| Adr recordist | Henning Hein | |
| Foley recordist | Alexander Weuffen | |
| Adr editor | Nadja Schulz
Sprach-/ Foleysynchronschnitt | Sprach-/ Foleysynchronschnitt |
| Dialogue editor | Alexander Weuffen | |
| Sound effects editor | Nadja Schulz | |
| Foley artist | Dieter Hebben | |
| Commissioning editor | Katja Kirchen | |
