| Director of photography | Henning Stirner
Red One | Red One |
| Steadicam operator | Markus Kuballa | |
| 1st assistant camera | Mathias Becker
4K | 4K |
| 2nd assistant camera | Shay Coten Beinwoll
DIT | DIT |
| Still photographer | Chris Hirschhäuser | |
| Costume designer | Ute Grenz | |
| Director | Mathias Steinach | |
| 1st AD (local system) | Marko Valic | |
| Script continuity | Daniel Pittner | |
| Gaffer | Bernhard Kühn
[WEISSER RING `Opferhilfe´] | [WEISSER RING `Opferhilfe´] |
| Lighting technician / electrician | Johanna Thiel | |
| Lighting technician / electrician | Björn Morres | |
| Makeup artist / hair stylist | Sara Lichtsteiner
Chefmaskenbildnerin | Chefmaskenbildnerin |
| Composer | Florian de Gelmini
Komposition symphonischer Filmmusik | Komposition symphonischer Filmmusik |
| Set decorator | Asja Neumann | |
| Art department assistant | Julia Julez Rudolph | |
| Standby props | Asja Neumann
Studiobau | Studiobau |
| Line producer | Tom Aures | |
| Production manager | Sabine Streckhardt | |
| Unit manager (local system) | Martin Richter [2] | |
| Set manager/ floor manager | Tim Wustrack | |
| Set runner | Florian Sailer [1] | |
| Screenwriter | Mathias Steinach | |
| Production sound mixer | Sascha Czycykowski | |
| Boom operator | Felix Piloth | |
| Sound re-recording mixer | Florian Beck
DIE BASIS Berlin | DIE BASIS Berlin |
| Sound designer | Clemens Nürnberger | |
