| Vfx supervisor | Rolf Heiler | |
| Director of photography | Simon Drescher | |
| 1st assistant camera | Javier Palicio | |
| 2nd assistant camera | Luke Henning | |
| DIT digital imaging technician | Luke Henning | |
| Casting director | Gabriela Reschauer | |
| Costume designer | Leah Lichtwitz | |
| Director | Maximilian Buck | |
| VFX editor | Frieder Petroll | |
| Gaffer | Manuel Dolderer | |
| Lighting technician / electrician | Sören Gerhard | |
| Lighting technician / electrician | Arkadiy Statsenko | |
| Lighting technician / electrician | Christopher Jess | |
| Makeup artist / hair stylist | Paolo Celano | |
| Producer | Gabriela Reschauer | |
| Production designer | Marcel Beranek
Period - WW1, 1920s, 70s | Period - WW1, 1920s, 70s |
| Assistant production designer | Clemens Lehmann
Szenenbild Marcel Beranek / histo. | Szenenbild Marcel Beranek / histo. |
| Assistant production designer | Frieder Petroll | |
| Prop master | Clemens Lehmann
/ Szenenbild Marcel Beranek / hist. WW1, 1920er, 70er | / Szenenbild Marcel Beranek / hist. WW1, 1920er, 70er |
| Standby props | Julia Nina Jaeniche | |
| Set manager/ floor manager | Gabriel Saadi Becker | |
| Set manager/ floor manager | Marco Henn | |
| Set runner | Jonas Hanisch | |
| Set runner | Ismael Ummenhofer | |
| Set runner | Frieder Petroll | |
| Sound recordist (non fiction) | Matthias Zielke | |
| Hygiene officer | Samuel Bär | |
