| Assistant production accountant | Martina Opel | |
| Colorist | Jonas Schmid | |
| Director of photography | Andreas Doub | |
| 1st assistant camera | Alexander Sachariew | |
| 2nd assistant camera | Sven Peukert | |
| Still photographer | Hardy Spitz | |
| Casting director | Ines Rahn | |
| Extras/bit player casting | Johanna Ragwitz | |
| Costume designer | Aenne Plaumann | |
| Assistant costume designer | Anja Schulinus | |
| Director | Hannu Salonen | |
| 1st AD (local system) | Robert Obermair | |
| Script continuity | Sylvia Gülle | |
| Editor | Julia Oehring | |
| Key grip | Elmar Suska
Key Grip | Key Grip |
| Grip | Hagen Raeder | |
| Gaffer | Dirk Eichler | |
| Best boy electric | Olaf Richter | |
| Lighting technician / electrician | Nico Nitsche | |
| Lighting technician / electrician | Christian Richter [4] | |
| Lighting technician / electrician | Alexander Bittner | |
| Makeup artist / hair stylist | Anke Saboundjian | |
| Additional make up artist | Irene Reinhardt
10 Drehtage | 10 Drehtage |
| Composer | Karim Sebastian Elias | |
| Producer | Jan Kruse | |
| Production designer | Reinhard Glöde | |
| Location scout | Nicole Zscherny | |
| Line producer | Sven Sund | |
| Production manager | Jens Laukner | |
| Unit manager (local system) | Vanessa Eggers | |
| Set manager/ floor manager | Jörg Dowidat
und Motivaufnahmeleiter | und Motivaufnahmeleiter |
| Production driver | Guido Kuckuck | |
| Screenwriter | Andreas Pflüger | |
| Sound designer | Bernd Goebel | |
| Stunt coordinator | Armin Sauer | |
