| Production accountant | Carmen Looker
England | England |
| Post production supervisor | Michaela Krauß | |
| Director of photography | Holger Greiss | |
| 1st assistant camera | Timm Michael Reiter | |
| Clapper/loader | Mirko Friebel | |
| Still photographer | Jon Ailes | |
| Costume designer | Tanja Wagner | |
| Assistant costume designer | Danja Swindall | |
| Costumer / wardrobe | Kirsten Lock | |
| Director | Dieter Kehler | |
| 1st AD (local system) | Peer Menke | |
| Script continuity | Simone Rieger | |
| Assistant editor | Ismet Gündüz | |
| Key grip | Peter Wilhelm | |
| Gaffer | Wolfgang Erdmann | |
| Lighting technician / electrician | Enver Fidan | |
| Lighting technician / electrician | Max Smeaton | |
| Lighting trainee | Remill Müller | |
| Makeup artist / hair stylist | Fiona Clarke | |
| Makeup artist / hair stylist | Linda Mooney | |
| Producer | Michael Smeaton | |
| Producer | Heidi Ulmke | |
| Production designer | Robert Foster | |
| Art director | Stuart Whalley | |
| Prop master | Clare Keyte | |
| Standby props | Chris Allen | |
| Greens person | Philip Taylor-Corps | |
| Set builder | Mark Papworth [1] | |
| Prop hand | Carmelo Piero Grasso | |
| Line producer | Elvira Bolz | |
| Production coordinator | Silke Sander | |
| Unit manager (local system) | Sylvie Wichers | |
| Assistant location manager | Lutz Meier-Ewert | |
| Screenwriter | Silke Morgenroth | |
| Screenwriter | Martin Wilke | |
| Production sound mixer | Petra Gregorzewski | |
| Boom operator | Robin Hörrmann | |
| Sound designer | Thorsten Minning | |
| Dialogue editor | Nick Würpel | |
