Production accountant | Carmen Looker England | England |
Post production supervisor | Michaela Krauß | |
Director of photography | Holger Greiss | |
1st assistant camera | Timm Michael Reiter | |
Clapper/loader | Mirko Friebel | |
Still photographer | Jon Ailes | |
Costume designer | Tanja Wagner | |
Assistant costume designer | Danja Swindall | |
Costumer / wardrobe | Kirsten Lock | |
Director | Dieter Kehler | |
1st AD (local system) | Peer Menke | |
Script continuity | Simone Rieger | |
Assistant editor | Ismet Gündüz | |
Key grip | Peter Wilhelm | |
Gaffer | Wolfgang Erdmann | |
Lighting technician / electrician | Enver Fidan | |
Lighting technician / electrician | Max Smeaton | |
Lighting trainee | Remill Müller | |
Makeup artist / hair stylist | Fiona Clarke | |
Makeup artist / hair stylist | Linda Mooney | |
Producer | Michael Smeaton | |
Producer | Heidi Ulmke | |
Production designer | Robert Foster | |
Art director | Stuart Whalley | |
Prop master | Clare Keyte | |
Standby props | Chris Allen | |
Greens person | Philip Taylor-Corps | |
Set builder | Mark Papworth [1] | |
Prop hand | Carmelo Piero Grasso | |
Line producer | Elvira Bolz | |
Production coordinator | Silke Sander | |
Unit manager (local system) | Sylvie Wichers | |
Assistant location manager | Lutz Meier-Ewert | |
Screenwriter | Silke Morgenroth | |
Screenwriter | Martin Wilke | |
Production sound mixer | Petra Gregorzewski | |
Boom operator | Robin Hörrmann | |
Sound designer | Thorsten Minning | |
Dialogue editor | Nick Würpel | |