- DIT digital imaging technician
Born on 07.09.1983 in Johannesburg (41 Years)
About Richard Muller
Richard’s well rounded experience includes feature films, documentaries, television shows, commercials, stereoscopic 3D and Virtual Production. As well as being an experienced colourist and editor, he has a strong background in post production and specialises in managing high-volume multicam shows and complex colour and look pipelines. His early experience as a camera assistant and operator, strengthens his role as a DIT and technical director.
Some of Richard’s biggest projects include the Alexa65 based Netflix series Dark, 1899, Damsel, The Kingdoms of Fire (5 months of LF action-insanity in the Sahara), Avengers: Age of Ultron and Chappie.
He recently branched into Virtual Production Supervision, serving as such on several high end productions, including The Phoenician Scheme, for Wes Anderson.
Some of Richard’s biggest projects include the Alexa65 based Netflix series Dark, 1899, Damsel, The Kingdoms of Fire (5 months of LF action-insanity in the Sahara), Avengers: Age of Ultron and Chappie.
He recently branched into Virtual Production Supervision, serving as such on several high end productions, including The Phoenician Scheme, for Wes Anderson.
Basic data
| Nationality | British, South African |
|---|---|
| Languages | EnglishGerman |
| Experience abroad | Central Europe: Germany North Africa: Tunisia North America: Mexico East Africa: Ethiopia, Kenya, Malawi, Tanzania, Zambia, Zimbabwe South Africa: Botswana, Namibia, South Africa, Swasiland South Asia: India, Nepal Southern Europe: Italy, Portugal West Africa: Nigeria Western Europe: England, France Central Africa: Democratic Republic of the Congo (Zaire), Republic of the Congo |
| Immediate working area | Berlin |
| 2nd residence (if applicable) | Cape Town |
| Tax residence (federal state or country) | Germany - Berlin |