| Digital compositor / compositing artist | Eric Westphal
und Particles Artist | und Particles Artist |
| Digital compositor / compositing artist | Christian Schrills | |
| Colorist | David Hughes | |
| Director of photography | Pascal Walder | |
| 2nd unit dop | Till Brinkmann | |
| Steadicam operator | Brian D. Goff
2 Drehtage | 2 Drehtage |
| Steadicam operator | Curt O. Schaller | |
| Costumer / wardrobe | Regula Marthaler | |
| Additional costumers | Stefania Tedesco | |
| Director | Michael Steiner | |
| Script continuity | Barbara Krieger | |
| Editor | Timo Fritsche | |
| Gaffer | David Satz
Oberbeleuchter | Oberbeleuchter |
| Rigging gaffer | Philipp Gerhardt | |
| Lighting technician / electrician | Robert Bergmann
5 Wochen | 5 Wochen |
| Additional make up artist | Milena Britschgi
historisch 1950/60 | historisch 1950/60 |
| Additional make up artist | Nicole Zingg | |
| Assistant makeup artist | Tanja Maria Koller | |
| Composer | Adrian Frutiger | |
| Composer | Diego Baldenweg | |
| Producer | Andi Huber | |
| Production designer | Monica Rottmeyer | |
| Production designer | Gerald Damovsky | |
| Prop master | Thérèse Traber
set decorator | set decorator |
| Standby props | Jo Julius Schablowsky | |
| Location scout | Arnold H. Bucher | |
| Production manager | Meret Nora Burger | |
| Unit manager (local system) | Arnold H. Bucher | |
| Set runner | Roger Schweizer | |
| Screenwriter | Michael Sauter | |
| Literary source | Klaus Schädelin | |
| Production sound mixer | Hugo Poletti | |
| Foley recordist | Normann Büttner | |
| Foley editor | Normann Büttner | |
| Foley artist | Mel Kutbay | |
