Production accountant | Coreen Kaiser | |
Digital compositor / compositing artist | Sebastian Locker | |
Colorist | Felix Hüsken Grading Digital Cinema Version 2024 | Grading Digital Cinema Version 2024 |
Director of photography | Bernhard Keller | |
Steadicam operator | Thomas Korda | |
Steadicam operator | Jürgen Husung | |
1st assistant camera | Marco Lisicki (vormals Dreckmann) HD, Pro 35, ultra primes | HD, Pro 35, ultra primes |
Still photographer | Martin Lässig | |
Camera trainee | Luise Schröder | |
Casting director | Ulrike Müller | |
Costume designer | Susa Sasserath | |
Director | Christoph Hochhäusler | |
1st AD (local system) | Friedemann Roll | |
Gaffer | Philipp Schmitz | |
Best boy electric | Jörg Hartmann Best Boy | Best Boy |
Lighting assistant | Sebastian Schmitt 3 Tage Zusatz | 3 Tage Zusatz |
Assistant makeup artist | Evelyn Book | |
Producer | Bettina Brokemper | |
Production designer | Beatrice Schultz 2005, cannes film festival, section: un certain regard | 2005, cannes film festival, section: un certain regard |
Assistant production designer | Simon Empt | |
Assistant production designer | Melanie Alsdorf | |
Set decorator | Beatrice Schultz | |
Prop master | Christiane Knobloch | |
Location scout | Beatrice Schultz Hauptmotiv | Hauptmotiv |
Location scout | Rüdiger Jordan | |
Set builder | Volker Kaiser | |
Production manager | Sascha Verhey | |
Assistant production manager | Jessica Pohl | |
Unit manager (local system) | Georg Thorwarth | |
Production assistant | Henner Berning 2ter Drehabschnitt | 2ter Drehabschnitt |
Production sound mixer | Wolfgang Vogl Tonmeister + BoomOP | Tonmeister + BoomOP |
Sound supervisor | Wolfgang Herold | |
Sound editor | Manuel Karakas | |
Supervising sound editor | Max Wanko | |