| Production controller | Iris W. Czerner
und Gagenabrechnungen | und Gagenabrechnungen |
| Director of photography | Carl-Friedrich Koschnick | |
| Aerial camera operator | Nils Keber | |
| 1st assistant camera | Arnd Geißheimer | |
| 2nd assistant camera | Felix Jost
16mm | 16mm |
| Still photographer | Reiner Bajo | |
| Costume designer | Anneke Troost | |
| Costumer / wardrobe | Krisztina Kecskes Schmitz | |
| Costumer / wardrobe | Anastasia Danilow | |
| Director | Matti Geschonneck | |
| 1st AD (local system) | Florian Schott | |
| Editor | Karola Mittelstädt | |
| Assistant editor | Julia Dupuis | |
| Key grip | Michael Geyer | |
| Grip | Yves Maurice Itzek
u. Lichtassistenz | u. Lichtassistenz |
| Gaffer | Peter Fritscher | |
| Best boy electric | Christian Richter [1] | |
| Lighting technician / electrician | Martin Lieckfeld
Ersatz für 2 Drehtage | Ersatz für 2 Drehtage |
| Lighting technician / electrician | Andreas Richter | |
| Production designer | Naomi Schenck | |
| Prop master | Maren Dostal | |
| Standby props | Torsten Kuhne | |
| Location scout | Sandra Böttger
pre scouting Norddeutschland | pre scouting Norddeutschland |
| Location scout | Maria Wiesler | |
| Line producer | Dieter Salzmann | |
| Assistant to line producer | Ulrike Lettermann | |
| Production manager | Richard Wennemann | |
| Production coordinator | Sabine Meins
Prod.Ltg. Richard Wennemann | Prod.Ltg. Richard Wennemann |
| Set manager/ floor manager | Lars Rieken | |
| Assistant set/floor manager | Saskia Adler | |
| Production driver | Carlos Faria | |
| Set runner | Oliver Maaßberg | |
| Screenwriter | Magnus Vattrodt | |
| Production sound mixer | Andreas Walther | |
| Boom operator | Maj-Linn Preiß | |
| Sound designer | Markus Glunz | |
| Special effects supervisor | Jens Doeldissen | |
| Commissioning editor | Daniel Blum | |
