Director of photography | Thomas Bresinsky | |
2nd assistant camera | Maximilian Meyer [1] A_Cam_AMIRA | A_Cam_AMIRA |
DIT digital imaging technician | Andreas Melcher | |
Costume designer | Sandra Fuhr hist. 1890-1947 | hist. 1890-1947 |
Costumer / wardrobe | Anne-Katrin Pache-Wilke historisch (diverses, 1890-1947) | historisch (diverses, 1890-1947) |
Director | Daniel Remsperger Dokumentarischer Teil | Dokumentarischer Teil |
Director | Carsten Gutschmidt Szenischer Teil | Szenischer Teil |
1st AD (local system) | Mariana Mo Jäger Szenisch 6 DT, Casting | Szenisch 6 DT, Casting |
Editor | Klaus Eichler | |
Assistant editor | Laura Hölzel | |
Key grip | Rene Zander | |
Gaffer | George Steffens | |
Best boy electric | Hendrik Römer | |
Composer | George Kochbeck mit Theresa Marie Hetzel | mit Theresa Marie Hetzel |
Production designer | Kay Kulke | |
Assistant production designer | Violetta Willie Hamburg | |
Prop master | Lena Schønemann | |
Standby props | Harald Voß | |
Location scout | Andrea Giesel | |
Property driver | Alexander Bähnk | |
Line producer | Frank Schmuck | |
Production manager | Regina Kowalski | |
Assistant production manager | Melanie Heilig | |
Unit manager (local system) | Mathias Struve auf Helgoland | auf Helgoland |
Unit manager (local system) | Andrea Giesel fiction | fiction |
Set manager/ floor manager | Jan Mehrtens + 2 Tage Vertretung Regieassi. | + 2 Tage Vertretung Regieassi. |
Screenwriter | Daniel Remsperger | |
Screenwriter | Ronald Kruschak | |
Sound designer | Daniel Wulf | |
Commissioning editor | Marc Brasse | |