Post production supervisor | Marlene Beran | |
Post production coordinator | Elfi Freudenthaler | |
Director of photography | Martin Stingl | |
Steadicam operator | Oliver Brosenbauer | |
1st assistant camera | Peter Pulker | |
2nd assistant camera | Alexander Newekla | |
Still photographer | Petro Domenigg | |
Costume designer | Regina Bätz | |
Assistant costume designer | Sabine Waszmer | |
Costumer / wardrobe | Anne Kölbl | |
Director | Reinhard Schwabenitzky | |
1st AD (local system) | Günther Ruckdeschel | |
Script continuity | Alice Stengl | |
Trainee director's department | Bettina Gerbl | |
Editor | Ingrid Koller | |
Key grip | Wolfgang Lederer | |
Grip | Thomas Holy | |
Gaffer | Erich Mang | |
Additional make up artist | Daniela Skala mup/hair extras | mup/hair extras |
Assistant makeup artist | Reinhard Kirnich | |
Production designer | Burkhard Stulecker | |
Prop master | Sebastian Thanheiser | |
Standby props | Katrin Huber [1] | |
Picture car wrangler | Joe Berger Grip Kameratrailer | Grip Kameratrailer |
Production manager | Max Linder | |
Production coordinator | Karin Girsch | |
Unit manager (local system) | Heidi Hasezagel | |
Set manager/ floor manager | Mathias Mayer | |
Production assistant | Julian Miftari | |
Assistant set/floor manager | Dominik Lehenauer | |
Production driver | Joachim Flich | |
Production driver | Theresa Boyer | |
Screenwriter | Susanne Freund | |
Screenwriter | Katarina Bali | |
Production sound mixer | Walter Amann | |
Boom operator | Marek Vizner | |
Sound designer | Philipp Sellier | |
Sound designer | Sven Mevissen | |
Sound editor | Martin Loecker | |