| Production accountant | Hanne Krenz | |
| Director of photography | Dirk Heuer
Fiction | Fiction |
| Additional photography | Resa Asarschahab
Doku Dreh | Doku Dreh |
| Steadicam operator | Michael Ole Nielsen
& B-Cam | & B-Cam |
| 1st assistant camera | Robert Will
B-Focus, Steadicam-Focus | B-Focus, Steadicam-Focus |
| 1st assistant camera | Axel Stock | |
| 2nd assistant camera | Laurin Lampe | |
| Still photographer | Michael Ihle | |
| Casting director | Charlotte Siebenrock
Main and secondary cast | Main and secondary cast |
| Casting director (children) | Madeleine Senfft von Pilsach | |
| Costume designer | Astrid Karras | |
| Costume designer | Frank Bohn
Historisch Deutsch & Englische Uniformen around 1946 | Historisch Deutsch & Englische Uniformen around 1946 |
| Assistant costume designer | Ramona Dominique Huppert | |
| Costumer / wardrobe | Adam Winter
1940s | 1940s |
| Costumer / wardrobe | Harriet Nönnig | |
| Costumer / wardrobe | Kirsten Skrybski
historisch 1945, Übernahme Kostümassistenz im Dreh | historisch 1945, Übernahme Kostümassistenz im Dreh |
| Director | Raymond Ley | |
| 1st AD (local system) | Madeleine Senfft von Pilsach | |
| Crowd 2nd AD (local system) | Pia-Donata Pach | |
| Script supervisor | Heike Frei | |
| Script continuity | Masha Mollenhauer | |
| Actor coach | Dominik Klingberg
Schauspiel Coach Hannah Ley | Schauspiel Coach Hannah Ley |
| Editor | Martin Menzel | |
| Editor | Tanja Zilg | |
| Grip | Manuel Scholz | |
| Gaffer | Matthias 'Matze' Bäumer | |
| Best boy electric | Christian Wunderlich | |
| Lighting technician / electrician | Chris Völkner | |
| Lighting assistant | Jan Nieschulz | |
| Key makeup artist/hair stylist | Stefanie Gredig
1945-1946 | 1945-1946 |
| Makeup artist / hair stylist | Petra Herzler-Grossmann
+ SFX | + SFX |
| Composer | Steffen Britzke | |
| Producer | Michael Kloft | |
| Production designer | Martin Schreiber
historisch 40 er jahre | historisch 40 er jahre |
| Art director | Dennis Duis | |
| Construction coordinator | Patrik Lange | |
| Prop master | Mike Thiemann | |
| Standby props | Jutta Saas | |
| Assistant stand by props | Miriam Judith Reichel
historical | historical |
| Set builder assistant | Manuel Scholz | |
| Line producer | Olaf Kalvelage | |
| Production manager | Frank Berszuck
Produktionsleitung | Produktionsleitung |
| Production manager (broadcaster) | Patrick Fuchs [1] | |
| Production coordinator | Annelie Hamann | |
| Assistant production manager | Rym Nouioua
In der Vorbereitung | In der Vorbereitung |
| Unit manager (local system) | Ingo Stroot
Niedersachsen, Hildesheim und Umgebung | Niedersachsen, Hildesheim und Umgebung |
| Set manager/ floor manager | Thilo Ehrhardt | |
| Production driver | Maciej Kupisz
Niedersachsen | Niedersachsen |
| Production driver | Lars Wolf [1] | |
| Production driver | Kathrin-Niña Lenzner | |
| Screenwriter | Hannah Ley | |
| Screenwriter | Raymond Ley | |
| Based on a screenplay draft by | Dirk Eisfeld | |
| Sound recordist (non fiction) | Johannes Schneeweiß
Doku Dreh | Doku Dreh |
| Sound re-recording mixer | Torben Seemann | |
| Sound designer | Lukas Brandes | |
| Foley editor | Jasmin Lenssen | |
| Foley artist | Fred Fleing | |
| Commissioning editor | Marc Brasse | |
| Commissioning editor | Mark Willock | |
| Commissioning editor | Rolf Bergmann | |
| Commissioning editor | Sabine Mieder | |
