| Director of photography | Lukas Gnaiger | |
| Camera operator | Felix Striegel | |
| Camera operator | Lukas Allmaier | |
| Gimbal system operator | Andreas Schaden | |
| 1st assistant camera | Peter Pulker | |
| 1st assistant camera | Philipp Glockner | |
| 2nd assistant camera | Michael Krischan | |
| DIT digital imaging technician | Jovan Stevanovic | |
| Still photographer | Patrick Pfeiffer | |
| Extras/bit player casting | Caroline Fürst | |
| Director | Christian Theede | |
| 1st AD (local system) | Susanne Förg | |
| Editor | Martin Rahner | |
| Key grip | Andreas Schaden | |
| Grip | Leopold Kaserer | |
| Gaffer | Alex Haspel | |
| Best boy electric | Tobias Jager | |
| Lighting technician / electrician | David Sternad | |
| Lighting technician / electrician | Marc Hofmann [1] | |
| Composer | Chris Bremus | |
| Producer | Sam Davis | |
| Producer | Klaus Graf | |
| Producer | Kim Fatheuer | |
| Assistant-/ junior-producer | Laura Altenkämper | |
| Assistant production designer | Christina Wahl | |
| Unit manager (local system) | Roland Niko Venturas | |
| Location manager | Andreas Kispert | |
| Assistant set/floor manager | Birgit Mayrhofer | |
| Production driver | Kristina Dinser | |
| Screenwriter | Jeanet Pfitzer | |
| Screenwriter | Frank Koopmann | |
| Screenwriter | Roland Heep | |
| Production sound mixer | Hjalti Bager-Jonathansson | |
| Boom operator | Christian Moritz | |
| Sound re-recording mixer | Torben Seemann | |
| Sound designer | Alexandros Topalis | |
| Foley recordist | Lukas Brandes | |
| Dialogue editor | Steffen Pfauth | |
| Special effects supervisor | Rüdiger Schnur | |
| Stunt coordinator | Cornelia Dworak | |
| Commissioning editor | Sabine Weber | |
| Commissioning editor | Daniel Blum | |
| Hygiene officer | Vanessa Uenning | |
